El suelo en la danza: uso del cuerpo y propiedades del soporte
The general aim of this research is the development of categories and codes (according to Saldaña's terminology, 2009) of the uses, functions and properties of the floor in dance. We have followed a methodology based on the qualitative analysis of a video corpus of dance works that were sel...
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| Tipo de recurso: | tesis doctoral |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/90449 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/90449 |
| Access Level: | acceso abierto |
| Palabra clave: | Danza Audiovisual Videodanza cualitativo cuantitativo Posición corporal Caída Composición Coreografía New dance Nueva danza danza moderna Danza contemporánea Danza clásica Ballet Screendance Desplazamiento Contact improvisation Movimiento Expresión corporal Breakdance Street dance Suelo matérico Buto butoh Aikido Floor Dance Contemporary dance Classical dance Modern dance Plataforma Angulación Cámara Eje del cuerpo Representación Craneo-caudal Rodamiento Decúbito salto Correr Saltar Caminar Animal walking COMUNICACION AUDIOVISUAL Y PUBLICIDAD ESCULTURA |
| Sumario: | The general aim of this research is the development of categories and codes (according to Saldaña's terminology, 2009) of the uses, functions and properties of the floor in dance. We have followed a methodology based on the qualitative analysis of a video corpus of dance works that were selected representive of a specific language (classical, modern and new dance) or as belonging to a particular historical moment (our research ranges from the end of the 19th century to the present), although some choreographies have also been included due to their contribution to the use of the floor in dance. In addition, this selection has been restricted by the availability of the works in video format. The final list of the works we have been analysing makes a total of 295 choreographies, 11 of which have been examined in depth so as to develop a qualitative codification. Once the categories had been established, the different aspects of the corpus of dances could be finally described and, in each category, the codes, which are the values of the dances, were also constituted. From the video-based qualitative analysis we propose different categories, grouped into three meta-categories focusing on the body techniques, the characteristics of the ground/floor, and the representation. |
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