Pictorial restoration of frescos by transferring inkjet prints: the case of Palomino&apos
The case of the burnt frescos from Palomino in the church of the Santos in Valencia is a challenging problem that requires drastic new alternatives to traditional means of wall restoration. Very little is left untouched in this particular case: basically one document containing historic graphical in...
| Autores: | , , , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2007 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/32167 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/32167 |
| Access Level: | acceso abierto |
| Palabra clave: | Wall painting Frescos restoration Inkjet technologies Inkjet transfers Pintura mural Reintegración pictórica Papelgel CONSERVACION Y RESTAURACION DE BIENES CULTURALES (UPV) |
| Sumario: | The case of the burnt frescos from Palomino in the church of the Santos in Valencia is a challenging problem that requires drastic new alternatives to traditional means of wall restoration. Very little is left untouched in this particular case: basically one document containing historic graphical information, and a few real references remaining that show the author¿s technique (around 30% of the fragments). Using new inkjet-based technologies for digital imaging we reconstruct the missing elements and bring to life the appearance and context that once made this a very beautiful masterpiece. A new methodology been established that coordinates a perfect synergy between the different computer systems involved (digital camera, computer and printer), while simplifying the transfer to wall procedure that allows a harmonious coexistence of the current remaining fragments and the recreated ones. |
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