Criterios de intervención en la restauración de la planta noble de la Casa Batlló de Antoni Gaudí
[EN] The modifications over time to the piano nobile, brought about both by the uses and the inhabitants between the 1950s and 1990s, created a substantial reduction in the value of the whole of the space as a composition. Thus, the stuccoes, the wainscoting, the carpentry, had an individual value,...
| Autores: | , , , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2020 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/159664 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/159664 |
| Access Level: | acceso abierto |
| Palabra clave: | Stratigraphy Stucco Wainscoting Natural cement Wood Estratigrafía Estucos Arrimaderos Cemento natural Madera |
| Sumario: | [EN] The modifications over time to the piano nobile, brought about both by the uses and the inhabitants between the 1950s and 1990s, created a substantial reduction in the value of the whole of the space as a composition. Thus, the stuccoes, the wainscoting, the carpentry, had an individual value, that had been blurred with the significant alterations of the original project by Antoni Gaudí. The restoration of this main floor has tried to find a way to develop the original unifying power of each fragment that contained it, evaluating in a way proportional to how well each has survived. |
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