Alcman, el partenio del Louvre: estructura e interpretación

A new attempt to understand the structure and meaning of the of the Louvre Parthenion, through a comparison with the 3d Parthenion of Alcman and other data deriving from archaic lyric. The author thinks we have here a chant previous to the real “agon”, in which the (lost) prooemium was sung by Hages...

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Author: Rodríguez Adrados, Francisco
Format: article
Status:Published version
Publication Date:1973
Country:España
Institution:Consejo Superior de Investigaciones Científicas (CSIC)
Repository:DIGITAL.CSIC. Repositorio Institucional del CSIC
OAI Identifier:oai:digital.csic.es:10261/383258
Online Access:http://hdl.handle.net/10261/383258
Access Level:Open access
Keyword:Linguistic research
Literary analysis
Indo-european languages
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spelling Alcman, el partenio del Louvre: estructura e interpretaciónRodríguez Adrados, FranciscoLinguistic researchLiterary analysisIndo-european languagesA new attempt to understand the structure and meaning of the of the Louvre Parthenion, through a comparison with the 3d Parthenion of Alcman and other data deriving from archaic lyric. The author thinks we have here a chant previous to the real “agon”, in which the (lost) prooemium was sung by Hagesichora, the choragus, and the preserved part was sung by the girls of the chorus leaded by her. They make references to the rival chorus which, «fighted» against them in an “agon” which followed the song of our Parthenion: the chorus of the Peleiades, with their choragus Agido. It is quite normal that the choral poem should make reference to the feast in which is inserted. In this feast, a peplus was offered to the goddess by both choruses, but there was also between them a contest of singing as well as dancing.Peer reviewedConsejo Superior de Investigaciones Científicas (España)Consejo Superior de Investigaciones Científicas [https://ror.org/02gfc7t72]202520251973info:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6501Publisher's versioninfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/10261/383258reponame:DIGITAL.CSIC. Repositorio Institucional del CSICinstname:Consejo Superior de Investigaciones Científicas (CSIC)Españolhttps://emerita.revistas.csic.es/index.php/emerita/issue/archiveSíinfo:eu-repo/semantics/openAccessoai:digital.csic.es:10261/3832582026-05-22T06:33:51Z
dc.title.none.fl_str_mv Alcman, el partenio del Louvre: estructura e interpretación
title Alcman, el partenio del Louvre: estructura e interpretación
spellingShingle Alcman, el partenio del Louvre: estructura e interpretación
Rodríguez Adrados, Francisco
Linguistic research
Literary analysis
Indo-european languages
title_short Alcman, el partenio del Louvre: estructura e interpretación
title_full Alcman, el partenio del Louvre: estructura e interpretación
title_fullStr Alcman, el partenio del Louvre: estructura e interpretación
title_full_unstemmed Alcman, el partenio del Louvre: estructura e interpretación
title_sort Alcman, el partenio del Louvre: estructura e interpretación
dc.creator.none.fl_str_mv Rodríguez Adrados, Francisco
author Rodríguez Adrados, Francisco
author_facet Rodríguez Adrados, Francisco
author_role author
dc.contributor.none.fl_str_mv Consejo Superior de Investigaciones Científicas [https://ror.org/02gfc7t72]
dc.subject.none.fl_str_mv Linguistic research
Literary analysis
Indo-european languages
topic Linguistic research
Literary analysis
Indo-european languages
description A new attempt to understand the structure and meaning of the of the Louvre Parthenion, through a comparison with the 3d Parthenion of Alcman and other data deriving from archaic lyric. The author thinks we have here a chant previous to the real “agon”, in which the (lost) prooemium was sung by Hagesichora, the choragus, and the preserved part was sung by the girls of the chorus leaded by her. They make references to the rival chorus which, «fighted» against them in an “agon” which followed the song of our Parthenion: the chorus of the Peleiades, with their choragus Agido. It is quite normal that the choral poem should make reference to the feast in which is inserted. In this feast, a peplus was offered to the goddess by both choruses, but there was also between them a contest of singing as well as dancing.
publishDate 1973
dc.date.none.fl_str_mv 1973
2025
2025
dc.type.none.fl_str_mv info:eu-repo/semantics/article
http://purl.org/coar/resource_type/c_6501
Publisher's version
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/10261/383258
url http://hdl.handle.net/10261/383258
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.relation.none.fl_str_mv https://emerita.revistas.csic.es/index.php/emerita/issue/archive
Sí
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Consejo Superior de Investigaciones Científicas (España)
publisher.none.fl_str_mv Consejo Superior de Investigaciones Científicas (España)
dc.source.none.fl_str_mv reponame:DIGITAL.CSIC. Repositorio Institucional del CSIC
instname:Consejo Superior de Investigaciones Científicas (CSIC)
instname_str Consejo Superior de Investigaciones Científicas (CSIC)
reponame_str DIGITAL.CSIC. Repositorio Institucional del CSIC
collection DIGITAL.CSIC. Repositorio Institucional del CSIC
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,812429

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