Los poemas de Sánchez Talavera y Martínez Medina en 86* RL: selección y transmisión.
In the Cancionero de Llavia three poems are included, one of Sánchez de Talavera and two of Gonzalo Martínez de Medina, with the rubric of dezires in the Collectanea’s Prologue. They can be considered «short», compared to the two long ones that precede them. The three of them share a series of commo...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2023 |
| País: | España |
| Institución: | Universidad de Murcia |
| Repositorio: | DIGITUM. Depósito Digital Institucional de la Universidad de Murcia |
| OAI Identifier: | oai:digitum.um.es:10201/130450 |
| Acceso en línea: | https://doi.org/10.6018/ER.526441 http://hdl.handle.net/10201/130450 |
| Access Level: | acceso abierto |
| Palabra clave: | Textual criticism Printed cancionero poetry Dezir Religious poetry Didactic moralizing poetry Intellectualist poetry Crítica textual Poesía cancioneril impresa Poesía religiosa Poesía didáctico moralizante Poesía intelectualista CDU::8- Lingüística y literatura |
| Sumario: | In the Cancionero de Llavia three poems are included, one of Sánchez de Talavera and two of Gonzalo Martínez de Medina, with the rubric of dezires in the Collectanea’s Prologue. They can be considered «short», compared to the two long ones that precede them. The three of them share a series of common traits, whose analysis can shed light on the selection, as well as its transmission and meaning in the Cancionero de Llavia. Hence the documentary importance of these texts in 86*RL, with very complete versions, peferctly structured and with a unifed thematic that provides relevant data in this regard. |
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