La atracción del abismo en Galdós: el suicidio en La estafeta romántica
Suicide is one of the most recurrent themes in Pérez Galdós novels. Among all the books that make up Los Episodios Nacionales, La estafeta romántica is probably the one in which this interest in suicide is best shown. With an epistolary structure, this work brings up the psychological and sociologic...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2011 |
| País: | España |
| Institución: | Universidad de Valladolid |
| Repositorio: | UVaDOC. Repositorio Documental de la Universidad de Valladolid |
| OAI Identifier: | oai:uvadoc.uva.es:10324/12204 |
| Acceso en línea: | http://uvadoc.uva.es/handle/10324/12204 |
| Access Level: | acceso abierto |
| Palabra clave: | Pérez Galdós, Benito (1843-1920) - Crítica e interpretación Suicidio en la literatura |
| Sumario: | Suicide is one of the most recurrent themes in Pérez Galdós novels. Among all the books that make up Los Episodios Nacionales, La estafeta romántica is probably the one in which this interest in suicide is best shown. With an epistolary structure, this work brings up the psychological and sociological reasons behind Mariano José de Larra's and another three fictional characters' suicides. This article examines the vital circumstances of these four characters in order to match them with the suicide typologies proposed by the sociologist Émile Durkheim. Considering as well the importance of this work's historical background, we also analyze the possible symbolic implications of each of these four characters' suicides. |
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