El grado cero de la estética: el vídeo en la obra de Fredric Jameson

This article aims to analyze critically the proposal of reconstruction of traditional aesthetics that the American philosopher Fredric Jameson explains in his essay “Surrealism without the Unconscious,” in connection with artistic formulations in video format and commercial television.

Detalles Bibliográficos
Autor: Murcia, I. (Inmaculada)|||/items/58828ee3-30ac-4e9c-8b1a-57d0d95ea4a6
Tipo de recurso: artículo
Fecha de publicación:2011
País:España
Institución:Universidad de Navarra
Repositorio:Dadun. Depósito Académico Digital de la Universidad de Navarra
Idioma:español
OAI Identifier:oai:dadun.unav.edu:10171/22949
Acceso en línea:https://hdl.handle.net/10171/22949
Access Level:acceso abierto
Palabra clave:Postmodernidad
Videoarte
Estética
Descripción
Sumario:This article aims to analyze critically the proposal of reconstruction of traditional aesthetics that the American philosopher Fredric Jameson explains in his essay “Surrealism without the Unconscious,” in connection with artistic formulations in video format and commercial television.