Lorca, el Cubismo y la distorsión del tiempo
Traditionally, Lorca's plays Comedia sin titulo. El público, and Así que pasen cinco años have been analysed as experimental works that are radically different from his rural trilogy or other, more conventional works. This article will approach Así que pasen cinco años from a dífferent viewpoin...
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| Formato: | artículo |
| Fecha de publicación: | 2003 |
| País: | España |
| Recursos: | Universidad de Alcalá (UAH) |
| Repositorio: | e_Buah Biblioteca Digital Universidad de Alcalá |
| Idioma: | español |
| OAI Identifier: | oai:ebuah.uah.es:10017/4728 |
| Acesso em linha: | http://hdl.handle.net/10017/4728 |
| Access Level: | acceso abierto |
| Palavra-chave: | Filología Philology Literatura Literature |
| Resumo: | Traditionally, Lorca's plays Comedia sin titulo. El público, and Así que pasen cinco años have been analysed as experimental works that are radically different from his rural trilogy or other, more conventional works. This article will approach Así que pasen cinco años from a dífferent viewpoint, examining it as a direct precursor of Bodas de sangre and as an experiment not only in projecting the complexities of the human mind, but also as an attempt to translate to the theatre some of the ideas that have been associated with pictorial Cubism. |
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