An Assyrian King in Turin
At the Museum of Antiquity in Turin (Italy) is now again exhibited the famous portrait of Sargon II (donated by P.E. Botta to his hometown, along with another portrait of a courtier) together with a few small fragments of other lesser-known Assyrian wall reliefs, from Khorsabad and Nineveh. In this...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2011 |
| País: | España |
| Institución: | Universidad Autónoma de Madrid |
| Repositorio: | Biblos-e Archivo. Repositorio Institucional de la UAM |
| Idioma: | inglés |
| OAI Identifier: | oai:repositorio.uam.es:10486/662327 |
| Acceso en línea: | http://hdl.handle.net/10486/662327 |
| Access Level: | acceso abierto |
| Palabra clave: | Assyrian reliefs Visual representation codes Khorsabad Cabeza de Sargón II Arte / Bellas Artes Historia |
| Sumario: | At the Museum of Antiquity in Turin (Italy) is now again exhibited the famous portrait of Sargon II (donated by P.E. Botta to his hometown, along with another portrait of a courtier) together with a few small fragments of other lesser-known Assyrian wall reliefs, from Khorsabad and Nineveh. In this paper we present some considerations on the two Botta’s reliefs, considering in particular the representational codes used by artists in the composition of the Assyrian royal portraits |
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