Le voyage comme palimpseste identitaire dans "Grande Section", le premier roman d’Hadia Decharrière
In the current context, travel and movement play an essential role in defining geopolitical boundaries as well as identity. In this sense, it is worth highlighting how the literary mosaic of contemporary Francophone xenographs reflects the imprint of current migratory processes that draw a new prome...
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| Format: | article |
| Publication Date: | 2020 |
| Country: | España |
| Institution: | Universidad Autónoma de Madrid |
| Repository: | Biblos-e Archivo. Repositorio Institucional de la UAM |
| Language: | French |
| OAI Identifier: | oai:repositorio.uam.es:10486/696021 |
| Online Access: | http://hdl.handle.net/10486/696021 https://dx.doi.org/10.6018/ER.420781 |
| Access Level: | Open access |
| Keyword: | Autofiction Francophone literature Hadia Decharrière Identity Travel Women's writen Filología |
| Summary: | In the current context, travel and movement play an essential role in defining geopolitical boundaries as well as identity. In this sense, it is worth highlighting how the literary mosaic of contemporary Francophone xenographs reflects the imprint of current migratory processes that draw a new promenade and landscape in Romanesque literature. In this article, we propose to analyse Grande Section, Hadia Decharrière's first novel, with the aim of illustrating the preponderance of autofictional writing in the literary and cited field. Also, this novel will allow us to address the different meanings that the topic of the trip acquires in its scriptural project. This theme, initially linked to geographical displacement, will allow us to outline the consequences of this identity uprooting whit ontological significance. |
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