How to analyse the experience of serious leisure onstage: actors and spectators

The practice of serious leisure engenders a deep sense of self-fulfilment, observable in artistic activities in general - and in theatre in particular. In relation to theatre, the serious leisure perspective suggests that this activity has an influence on the self, whether the individual is playing...

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Authors: Pestana, José Vicente, Codina, Núria (Codina Mata)
Format: article
Status:Versión aceptada para publicación
Publication Date:2017
Country:España
Institution:Universidad de Barcelona
Repository:Dipòsit Digital de la UB
OAI Identifier:oai:diposit.ub.edu:2445/154835
Online Access:https://hdl.handle.net/2445/154835
Access Level:Open access
Keyword:Sociologia del lleure
Teatre
Actors
Públic
Sociology of leisure
Theater
Audiences
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spelling How to analyse the experience of serious leisure onstage: actors and spectatorsPestana, José VicenteCodina, Núria (Codina Mata)Sociologia del lleureTeatreActorsPúblicSociology of leisureTheaterActorsAudiencesThe practice of serious leisure engenders a deep sense of self-fulfilment, observable in artistic activities in general - and in theatre in particular. In relation to theatre, the serious leisure perspective suggests that this activity has an influence on the self, whether the individual is playing the role of actor or active spectator, but few studies have analysed the impact. Given the scarcity of empirical evidence and methodological references, in this paper we propose a qualitative methodological procedure to analyse the relations between theatre as serious leisure and the self. This procedure, besides showing the influence of theatre as serious leisure on actors and spectators, permits the assessment of intervention programmes.Routledge2017info:eu-repo/semantics/articleinfo:eu-repo/semantics/acceptedVersionapplication/pdfhttps://hdl.handle.net/2445/154835Articles publicats en revistes (Psicologia Social i Psicologia Quantitativa)reponame:Dipòsit Digital de la UBinstname:Universidad de BarcelonaInglésVersió postprint del document publicat a: https://doi.org/10.1080/16078055.2017.1345488World Leisure Journal, 2017, vol. 59, num. 3, p. 240-248https://doi.org/10.1080/16078055.2017.1345488(c) World Leisure Organization, 2017info:eu-repo/semantics/openAccessoai:diposit.ub.edu:2445/1548352026-05-27T06:46:51Z
dc.title.none.fl_str_mv How to analyse the experience of serious leisure onstage: actors and spectators
title How to analyse the experience of serious leisure onstage: actors and spectators
spellingShingle How to analyse the experience of serious leisure onstage: actors and spectators
Pestana, José Vicente
Sociologia del lleure
Teatre
Actors
Públic
Sociology of leisure
Theater
Actors
Audiences
title_short How to analyse the experience of serious leisure onstage: actors and spectators
title_full How to analyse the experience of serious leisure onstage: actors and spectators
title_fullStr How to analyse the experience of serious leisure onstage: actors and spectators
title_full_unstemmed How to analyse the experience of serious leisure onstage: actors and spectators
title_sort How to analyse the experience of serious leisure onstage: actors and spectators
dc.creator.none.fl_str_mv Pestana, José Vicente
Codina, Núria (Codina Mata)
author Pestana, José Vicente
author_facet Pestana, José Vicente
Codina, Núria (Codina Mata)
author_role author
author2 Codina, Núria (Codina Mata)
author2_role author
dc.subject.none.fl_str_mv Sociologia del lleure
Teatre
Actors
Públic
Sociology of leisure
Theater
Actors
Audiences
topic Sociologia del lleure
Teatre
Actors
Públic
Sociology of leisure
Theater
Actors
Audiences
description The practice of serious leisure engenders a deep sense of self-fulfilment, observable in artistic activities in general - and in theatre in particular. In relation to theatre, the serious leisure perspective suggests that this activity has an influence on the self, whether the individual is playing the role of actor or active spectator, but few studies have analysed the impact. Given the scarcity of empirical evidence and methodological references, in this paper we propose a qualitative methodological procedure to analyse the relations between theatre as serious leisure and the self. This procedure, besides showing the influence of theatre as serious leisure on actors and spectators, permits the assessment of intervention programmes.
publishDate 2017
dc.date.none.fl_str_mv 2017
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/acceptedVersion
format article
status_str acceptedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/2445/154835
url https://hdl.handle.net/2445/154835
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Versió postprint del document publicat a: https://doi.org/10.1080/16078055.2017.1345488
World Leisure Journal, 2017, vol. 59, num. 3, p. 240-248
https://doi.org/10.1080/16078055.2017.1345488
dc.rights.none.fl_str_mv (c) World Leisure Organization, 2017
info:eu-repo/semantics/openAccess
rights_invalid_str_mv (c) World Leisure Organization, 2017
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Routledge
publisher.none.fl_str_mv Routledge
dc.source.none.fl_str_mv Articles publicats en revistes (Psicologia Social i Psicologia Quantitativa)
reponame:Dipòsit Digital de la UB
instname:Universidad de Barcelona
instname_str Universidad de Barcelona
reponame_str Dipòsit Digital de la UB
collection Dipòsit Digital de la UB
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,301603

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