De Eugène Delacroix a Miquel Barceló: la interpretación visual del Fausto de Goethe
[EN] The myth of Faust originates from the text that Johann Wolfgang von Goethe published in 1808; before the second part appeared, and still in the writer's lifetime, his work is already famous and a wide range of versions begins, which focus fundamentally on the musical and stage fields....
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| Formato: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/209834 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/209834 |
| Access Level: | acceso abierto |
| Palavra-chave: | Goethe Fausto Myth Delacroix Miquel Barceló Illustrated book The Artist&apos s book Mito Eugène Delacroix Libro ilustrado Libro de artista |
| Resumo: | [EN] The myth of Faust originates from the text that Johann Wolfgang von Goethe published in 1808; before the second part appeared, and still in the writer's lifetime, his work is already famous and a wide range of versions begins, which focus fundamentally on the musical and stage fields. Eugène Delacroix (France, 1798-1863) turned it into a visual work in 1828 with the publication of the artist's book where he interpreted the scenes that most interested him in 17 lithographs. Miquel Barceló (Felanitx, 1957) undertakes the same challenge in 2018. He makes 72 watercolors that, after a comparative visual reading, reflect the emotional or spiritual coincidences of both creators, something that is manifested in the marked parallelism that their trajectories maintain. The comparative reading of both visual proposals allows us to conclude how their different artistic approaches combine and complement each other. |
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