Espacio versus pintura mural: Felix Aublet y Robert Delaunay en el Pabellón del Aire de la Exposición Internacional de Paris, 1937
[EN] This article deals with the link between architecture and murals in the Palais de l’Air at the International Exhibition of Art and Techniques that took place in Paris in 1937. In the entrance hall, concepts such as dynamism and simultaneity were transferred to a spatial and artistic concept by...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/113323 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/113323 |
| Access Level: | acceso abierto |
| Palabra clave: | Pabellón Aire Exposición 1937 París Delaunay Aublet Palais del’Air Exhibition 1937 Paris |
| Sumario: | [EN] This article deals with the link between architecture and murals in the Palais de l’Air at the International Exhibition of Art and Techniques that took place in Paris in 1937. In the entrance hall, concepts such as dynamism and simultaneity were transferred to a spatial and artistic concept by the art group Art et Lumière, led by the painter Robert Delaunay and the architect Felix Aublet. The wonder experienced at the progress made in aero dynamism in this historic context drove the passing of the pictorial to the architectural with the aim of abolishing measurable space, turning its role from a Cartesian one to a phenomenological one, thus favouring the ubiquity of architecture. |
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