Selective annotation of few data for beat tracking of Latin American music using rhythmic features
Training state-of-the-art beat tracking models usually requires large amounts of annotated data. It is widely known that data annotation is a time-consuming process and generally involves expert knowledge in the context of MIR. This can be particularly challenging if we consider culture-specific dat...
| Autores: | , , , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10230/72445 |
| Acceso en línea: | https://hdl.handle.net/10230/72445 http://dx.doi.org/10.5334/tismir.170 http://hdl.handle.net/10230/72445 |
| Access Level: | acceso abierto |
| Palabra clave: | Beat tracking Selective annotation Rhythmic description |
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Selective annotation of few data for beat tracking of Latin American music using rhythmic featuresMaia, Lucas S.Rocamora, MartínBiscainho, Luiz W.P.Fuentes, MagdalenaBeat trackingSelective annotationRhythmic descriptionTraining state-of-the-art beat tracking models usually requires large amounts of annotated data. It is widely known that data annotation is a time-consuming process and generally involves expert knowledge in the context of MIR. This can be particularly challenging if we consider culture-specific datasets. Previous research has shown that, under certain homogeneity conditions, it is possible to obtain good tracking results with these models using few training datapoints. However, this shifts the problem to that of the selection of these data. In this paper, we propose a methodology for selectively annotating meaningful samples from a dataset with the objective of training a beat tracker. We extract a rhythmic feature from each track and apply selection methods in the feature space limited by a budget of samples to be annotated. We then train a TCN-based state-of-the-art model using the selected data. The trained model is shown to perform well on the remainder of the dataset when compared to random selection. We hope that our study will alleviate the annotation process of culture-specific datasets and ultimately help build a more culturally diverse perspective in the field of Music Information Retrieval.Ubiquity Press2026202620242026info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://hdl.handle.net/10230/72445http://dx.doi.org/10.5334/tismir.170http://hdl.handle.net/10230/72445reponame:Recercat. Dipósit de la Recerca de Catalunyainstname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)InglésTransactions of the International Society for Music Information Retrieval. 2024;7(1):99-112© 2024 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/.http://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessoai:recercat.cat:10230/724452026-05-29T05:05:01Z |
| dc.title.none.fl_str_mv |
Selective annotation of few data for beat tracking of Latin American music using rhythmic features |
| title |
Selective annotation of few data for beat tracking of Latin American music using rhythmic features |
| spellingShingle |
Selective annotation of few data for beat tracking of Latin American music using rhythmic features Maia, Lucas S. Beat tracking Selective annotation Rhythmic description |
| title_short |
Selective annotation of few data for beat tracking of Latin American music using rhythmic features |
| title_full |
Selective annotation of few data for beat tracking of Latin American music using rhythmic features |
| title_fullStr |
Selective annotation of few data for beat tracking of Latin American music using rhythmic features |
| title_full_unstemmed |
Selective annotation of few data for beat tracking of Latin American music using rhythmic features |
| title_sort |
Selective annotation of few data for beat tracking of Latin American music using rhythmic features |
| dc.creator.none.fl_str_mv |
Maia, Lucas S. Rocamora, Martín Biscainho, Luiz W.P. Fuentes, Magdalena |
| author |
Maia, Lucas S. |
| author_facet |
Maia, Lucas S. Rocamora, Martín Biscainho, Luiz W.P. Fuentes, Magdalena |
| author_role |
author |
| author2 |
Rocamora, Martín Biscainho, Luiz W.P. Fuentes, Magdalena |
| author2_role |
author author author |
| dc.subject.none.fl_str_mv |
Beat tracking Selective annotation Rhythmic description |
| topic |
Beat tracking Selective annotation Rhythmic description |
| description |
Training state-of-the-art beat tracking models usually requires large amounts of annotated data. It is widely known that data annotation is a time-consuming process and generally involves expert knowledge in the context of MIR. This can be particularly challenging if we consider culture-specific datasets. Previous research has shown that, under certain homogeneity conditions, it is possible to obtain good tracking results with these models using few training datapoints. However, this shifts the problem to that of the selection of these data. In this paper, we propose a methodology for selectively annotating meaningful samples from a dataset with the objective of training a beat tracker. We extract a rhythmic feature from each track and apply selection methods in the feature space limited by a budget of samples to be annotated. We then train a TCN-based state-of-the-art model using the selected data. The trained model is shown to perform well on the remainder of the dataset when compared to random selection. We hope that our study will alleviate the annotation process of culture-specific datasets and ultimately help build a more culturally diverse perspective in the field of Music Information Retrieval. |
| publishDate |
2024 |
| dc.date.none.fl_str_mv |
2024 2026 2026 2026 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://hdl.handle.net/10230/72445 http://dx.doi.org/10.5334/tismir.170 http://hdl.handle.net/10230/72445 |
| url |
https://hdl.handle.net/10230/72445 http://dx.doi.org/10.5334/tismir.170 http://hdl.handle.net/10230/72445 |
| dc.language.none.fl_str_mv |
Inglés |
| language_invalid_str_mv |
Inglés |
| dc.relation.none.fl_str_mv |
Transactions of the International Society for Music Information Retrieval. 2024;7(1):99-112 |
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http://creativecommons.org/licenses/by/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by/4.0/ |
| eu_rights_str_mv |
openAccess |
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application/pdf application/pdf |
| dc.publisher.none.fl_str_mv |
Ubiquity Press |
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Ubiquity Press |
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reponame:Recercat. Dipósit de la Recerca de Catalunya instname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
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Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
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Recercat. Dipósit de la Recerca de Catalunya |
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Recercat. Dipósit de la Recerca de Catalunya |
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