Internationale Architektur, un fotolibro pionero en la divulgación de la emergente arquitectura moderna
[EN] The aim of this research is to analyse the pioneer architectural photobook, Internationale Architektur (1925), studying the convergence between Gropius ideological approach and Moholy-Nagy s editorial design in order to build a solid message about the emerging modern architecture. By comparing...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/182905 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/182905 |
| Access Level: | acceso abierto |
| Palabra clave: | Photobook Modern architecture Architectural photography Mass media Bauhaus Fotolibro Arquitectura moderna Fotografía arquitectónica Medios de comunicación |
| Sumario: | [EN] The aim of this research is to analyse the pioneer architectural photobook, Internationale Architektur (1925), studying the convergence between Gropius ideological approach and Moholy-Nagy s editorial design in order to build a solid message about the emerging modern architecture. By comparing photobooks designed by Moholy-Nagy previously, and taking into account the significant changes made by Gropius for its second edition (1927), it may be easier to understand the importance of dissemination as a modern, specific phenomenon; therefore, today we may see the International Style as a perfect commercial tag for advertising architectural Modernism, started with the launch of the first Bauhausbücher. |
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