Vientos de cambio: presente y futuro de Studio Ghibli
[EN] This article analyzes the evolution of Studio Ghibli after the first statement of retirement of Japanese master Hayao Miyazaki at the end of the nineties, following the successful premiere of Princess Mononoke, an eventual farewell that will repeat in 2013 after the premiere of The Wind Rises....
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/100150 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/100150 |
| Access Level: | acceso abierto |
| Palabra clave: | Studio Ghibli Miyazaki Anime Compañía Yonebayashi Company |
| Sumario: | [EN] This article analyzes the evolution of Studio Ghibli after the first statement of retirement of Japanese master Hayao Miyazaki at the end of the nineties, following the successful premiere of Princess Mononoke, an eventual farewell that will repeat in 2013 after the premiere of The Wind Rises. The text, prepared by Laura Montero Plata —author of the monographs The Invisible World of Hayao Miyazaki (Dolmen, 2012) and the most recent Princess Mononoke (Héroes de Papel, 2017), second installment of the Library Studio Ghibli— revises for Con A de Animación the editorial policy of studio Ghibli and the changes produced since then, establishing a double way of work maintained over time, with productions of family entertainment and riskier artistic works. Likewise, she points out future creations and generational replacement of the Japanese company. |
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