Claridad sobre la niebla: Reiulf Ramstad Arkitekter
[EN] In their struggle with nature, Norwegian architects learned to love nature by making –this was the original meaning of the word poiesis. Four metaphorically named paradigms of Reiulf Ramstad Arkitekter's ways of making are discussed here, after a brief general framework: proceeding fro...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/165635 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/165635 |
| Access Level: | acceso abierto |
| Palabra clave: | Reiulf Ramstad Arkitekter Selvika Trollstigen Pilestredet Centro Cultural Stjørda Trollstigen Pilestredet |
| Sumario: | [EN] In their struggle with nature, Norwegian architects learned to love nature by making –this was the original meaning of the word poiesis. Four metaphorically named paradigms of Reiulf Ramstad Arkitekter's ways of making are discussed here, after a brief general framework: proceeding from less urban situations to a more strategic complexity of regional infrastructures. The reader will find treatments of space-time in Selvika, changing memory and nature in Trollstigen, the effort to complete an unfinished sector respectfully in Pilestredet, Oslo, and a strategic, cultural centre in Stjørdal, Trondheim: diversity, intensity, simplicity, sense, a subtle architectural manifesto. |
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