Mito, círculo, parodia : del modernismo anglosajón a la metaficción historiográfica de Pérez-Reverte

This essay establishes a cultural bridge between Modernism and Postmodernism by focusing on the use of the motif of the mythic circle in Anglo-American and Hispanic writing, the latter from Spain and Latin America. Beginning with analysis of Faulkner's The Sound and the Fury, the essay exam...

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Detalles Bibliográficos
Autor: Collado Rodríguez, Francisco
Tipo de recurso: artículo
Fecha de publicación:1998
País:España
Institución:Universidad de Huelva (UHU)
Repositorio:Arias Montano. Repositorio Institucional de la Universidad de Huelva
Idioma:español
OAI Identifier:oai:ariasmontano.uhu.es:10272/1741
Acceso en línea:http://hdl.handle.net/10272/1741
Access Level:acceso abierto
Descripción
Sumario:This essay establishes a cultural bridge between Modernism and Postmodernism by focusing on the use of the motif of the mythic circle in Anglo-American and Hispanic writing, the latter from Spain and Latin America. Beginning with analysis of Faulkner's The Sound and the Fury, the essay examines the symbology of the circle in Anglo-American Modernism, after which this symbology is viewed in light of anthropological and psycoanalytic theory. Discussion of Borges's use of the circle as a cultural link between the two periods leads to analysis (informed by the postmodern/poststructuralist concepts of "historiographic metafiction" and "narrativity") of the influ