Desmentida, fetichismo y perversión en Vértigo (1958)
In this work we analyze the presence of the psychic mechanism of denial in Vertigo (1958), by Alfred Hitchcock. We focus especially on credit titles, as well as on those sequences that help us visualize that defensive mechanism that leads to the cleavage of self.
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universidad de Salamanca (USAL) |
| Repositorio: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/136124 |
| Acceso en línea: | http://hdl.handle.net/10366/136124 |
| Access Level: | acceso abierto |
| Palabra clave: | Medicina Cine Medicine Motion pictures |
| Sumario: | In this work we analyze the presence of the psychic mechanism of denial in Vertigo (1958), by Alfred Hitchcock. We focus especially on credit titles, as well as on those sequences that help us visualize that defensive mechanism that leads to the cleavage of self. |
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