Estética y contexto de los audiovisuales sobre narcotráfico en Latinoamérica en la era Netflix
In this text we will discuss the construction of a new aesthetic discourse on drug violence through audiovisuals in Latin America. Such a discourse is elaborated among different arts: literature or popular music (narcocorridos). In this article we will focus on the interpretation of historical event...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | España |
| Institución: | Universidad de Sevilla (US) |
| Repositorio: | idUS. Depósito de Investigación de la Universidad de Sevilla |
| OAI Identifier: | oai:idus.us.es:11441/111865 |
| Acceso en línea: | https://hdl.handle.net/11441/111865 https://doi.org/10.6092/issn.2036-0967/11334 |
| Access Level: | acceso abierto |
| Palabra clave: | Narcos Advertising aesthetics Audiovisual Journalism Cinema Series Estética publicitaria Periodismo Cine Serie |
| Sumario: | In this text we will discuss the construction of a new aesthetic discourse on drug violence through audiovisuals in Latin America. Such a discourse is elaborated among different arts: literature or popular music (narcocorridos). In this article we will focus on the interpretation of historical events in the audiovisual products such as documentary, fiction and series. Specifically, we will analyze the fiction film Loving Pablo by León de Aranoa (2017), the documentary Ni vivos ni muertos by Mastrogiovanni (2014) and the series Narcos produced by Netflix (Padilha, 2015). |
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