La acotación como texto
The comparison between Lope de Vega's autograph stage directions and the corresponding printed versions in his Partes de comedias shows significant textual differences, which demonstrate at least two important facts: 1) the textual instability of the stage directions - copyists and compositors...
| Autor: | |
|---|---|
| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universitat Autònoma de Barcelona |
| Repositorio: | Dipòsit Digital de Documents de la UAB |
| Idioma: | español |
| OAI Identifier: | oai:ddd.uab.cat:266706 |
| Acceso en línea: | https://ddd.uab.cat/record/266706 |
| Access Level: | acceso abierto |
| Palabra clave: | Stage directions Textual studies Editorial criteria Lope de Vega Holograph manuscripts Printed plays |
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La acotación como textocon ejemplos de Lope de VegaPontón, Gonzalo|||0000-0002-6567-8299Stage directionsTextual studiesEditorial criteriaLope de VegaHolograph manuscriptsPrinted playsThe comparison between Lope de Vega's autograph stage directions and the corresponding printed versions in his Partes de comedias shows significant textual differences, which demonstrate at least two important facts: 1) the textual instability of the stage directions - copyists and compositors don't see the stage directions as texts to be copied literally and in their integrity, and 2) the existence of a pattern of intervention by the printers, with the purpose of adapting the stage directions to the act of reading, in different and not always systematic ways. This paper tackles these issues, tries to delineate the specific problems raised by the editing of stage directions, and suggests some lines of action.Edizioni Ca' Foscari 22018-01-0120182018-01-01Capítol de llibrehttp://purl.org/coar/resource_type/c_3248VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/bookPartapplication/pdfhttps://ddd.uab.cat/record/266706reponame:Dipòsit Digital de Documents de la UABinstname:Universitat Autònoma de BarcelonaEspañolspaopen accesshttp://purl.org/coar/access_right/c_abf2Aquest document està subjecte a una llicència d'ús Creative Commons. Es permet la reproducció total o parcial, la distribució, la comunicació pública de l'obra i la creació d'obres derivades, fins i tot amb finalitats comercials, sempre i quan es reconegui l'autoria de l'obra original.https://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessoai:ddd.uab.cat:2667062026-06-06T12:50:31Z |
| dc.title.none.fl_str_mv |
La acotación como texto con ejemplos de Lope de Vega |
| title |
La acotación como texto |
| spellingShingle |
La acotación como texto Pontón, Gonzalo|||0000-0002-6567-8299 Stage directions Textual studies Editorial criteria Lope de Vega Holograph manuscripts Printed plays |
| title_short |
La acotación como texto |
| title_full |
La acotación como texto |
| title_fullStr |
La acotación como texto |
| title_full_unstemmed |
La acotación como texto |
| title_sort |
La acotación como texto |
| dc.creator.none.fl_str_mv |
Pontón, Gonzalo|||0000-0002-6567-8299 |
| author |
Pontón, Gonzalo|||0000-0002-6567-8299 |
| author_facet |
Pontón, Gonzalo|||0000-0002-6567-8299 |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Stage directions Textual studies Editorial criteria Lope de Vega Holograph manuscripts Printed plays |
| topic |
Stage directions Textual studies Editorial criteria Lope de Vega Holograph manuscripts Printed plays |
| description |
The comparison between Lope de Vega's autograph stage directions and the corresponding printed versions in his Partes de comedias shows significant textual differences, which demonstrate at least two important facts: 1) the textual instability of the stage directions - copyists and compositors don't see the stage directions as texts to be copied literally and in their integrity, and 2) the existence of a pattern of intervention by the printers, with the purpose of adapting the stage directions to the act of reading, in different and not always systematic ways. This paper tackles these issues, tries to delineate the specific problems raised by the editing of stage directions, and suggests some lines of action. |
| publishDate |
2018 |
| dc.date.none.fl_str_mv |
2 2018-01-01 2018 2018-01-01 |
| dc.type.none.fl_str_mv |
Capítol de llibre http://purl.org/coar/resource_type/c_3248 VoR http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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info:eu-repo/semantics/bookPart |
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bookPart |
| dc.identifier.none.fl_str_mv |
https://ddd.uab.cat/record/266706 |
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https://ddd.uab.cat/record/266706 |
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Español spa |
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Español |
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spa |
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open access http://purl.org/coar/access_right/c_abf2 https://creativecommons.org/licenses/by/4.0/ |
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info:eu-repo/semantics/openAccess |
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open access http://purl.org/coar/access_right/c_abf2 https://creativecommons.org/licenses/by/4.0/ |
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openAccess |
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application/pdf |
| dc.publisher.none.fl_str_mv |
Edizioni Ca' Foscari |
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Edizioni Ca' Foscari |
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reponame:Dipòsit Digital de Documents de la UAB instname:Universitat Autònoma de Barcelona |
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Universitat Autònoma de Barcelona |
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Dipòsit Digital de Documents de la UAB |
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Dipòsit Digital de Documents de la UAB |
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1869406812904620032 |
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15,301629 |