Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)

The major goal of psychoarchaeoacoustics is to understand the psychology behind motivations and emotions of past communities when selecting certain acoustic environments to set activities involving the production of paintings and carvings. Within this framework, the present study seeks to explore wh...

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Autores: López-Mochales S, Aparicio-Terrés R, Díaz-Andreu M, Escera C
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2023
País:España
Institución:Fundació Sant Joan de Déu
Repositorio:r-FSJD. Repositorio Institucional de Producción Científica de la Fundació Sant Joan de Déu
OAI Identifier:oai:fsjd.fundanetsuite.com:p24668
Acceso en línea:https://fsjd.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=24668
Access Level:acceso abierto
Palabra clave:acoustic perception
emotion
rock art
psychoacoustics
archaeoacoustics
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spelling Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)López-Mochales SAparicio-Terrés RDíaz-Andreu MEscera Cacoustic perceptionemotionrock artpsychoacousticsarchaeoacousticsThe major goal of psychoarchaeoacoustics is to understand the psychology behind motivations and emotions of past communities when selecting certain acoustic environments to set activities involving the production of paintings and carvings. Within this framework, the present study seeks to explore whether a group of archaeological rock art sites in Altai (Siberia, Russia) are distinguished by particular acoustic imprints that elicit distinct reactions on listeners, in perceptual and emotional terms. Sixty participants were presented with a series of natural sounds convolved with six impulse responses from Altai, three of them recorded in locations in front of rock art panels and three of them in front of similar locations but without any trace of rock art. Participants were interrogated about their subjective perception of the sounds presented, using 10 psychoacoustic and emotional scales. The mixed ANOVA analyses carried out revealed that feelings of "presence," "closeness," and "tension" evoked by all sounds were significantly influenced by the location. These effects were attributed to the differences in reverberation between the locations with and without rock art. Despite results are not consistent across all the studied rock art sites, and acknowledging the presence of several limitations, this study highlights the significance of its methodology. It stresses the crucial aspect of incorporating the limitations encountered in shaping future research endeavors.FRONTIERS MEDIA SA2023info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://fsjd.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=24668Frontiers in PsychologyISSN: 16641078reponame:r-FSJD. Repositorio Institucional de Producción Científica de la Fundació Sant Joan de Déuinstname:Fundació Sant Joan de DéuInglésinfo:eu-repo/semantics/openAccessoai:fsjd.fundanetsuite.com:p246682026-05-27T12:37:41Z
dc.title.none.fl_str_mv Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)
title Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)
spellingShingle Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)
López-Mochales S
acoustic perception
emotion
rock art
psychoacoustics
archaeoacoustics
title_short Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)
title_full Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)
title_fullStr Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)
title_full_unstemmed Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)
title_sort Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)
dc.creator.none.fl_str_mv López-Mochales S
Aparicio-Terrés R
Díaz-Andreu M
Escera C
author López-Mochales S
author_facet López-Mochales S
Aparicio-Terrés R
Díaz-Andreu M
Escera C
author_role author
author2 Aparicio-Terrés R
Díaz-Andreu M
Escera C
author2_role author
author
author
dc.subject.none.fl_str_mv acoustic perception
emotion
rock art
psychoacoustics
archaeoacoustics
topic acoustic perception
emotion
rock art
psychoacoustics
archaeoacoustics
description The major goal of psychoarchaeoacoustics is to understand the psychology behind motivations and emotions of past communities when selecting certain acoustic environments to set activities involving the production of paintings and carvings. Within this framework, the present study seeks to explore whether a group of archaeological rock art sites in Altai (Siberia, Russia) are distinguished by particular acoustic imprints that elicit distinct reactions on listeners, in perceptual and emotional terms. Sixty participants were presented with a series of natural sounds convolved with six impulse responses from Altai, three of them recorded in locations in front of rock art panels and three of them in front of similar locations but without any trace of rock art. Participants were interrogated about their subjective perception of the sounds presented, using 10 psychoacoustic and emotional scales. The mixed ANOVA analyses carried out revealed that feelings of "presence," "closeness," and "tension" evoked by all sounds were significantly influenced by the location. These effects were attributed to the differences in reverberation between the locations with and without rock art. Despite results are not consistent across all the studied rock art sites, and acknowledging the presence of several limitations, this study highlights the significance of its methodology. It stresses the crucial aspect of incorporating the limitations encountered in shaping future research endeavors.
publishDate 2023
dc.date.none.fl_str_mv 2023
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://fsjd.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=24668
url https://fsjd.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=24668
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv FRONTIERS MEDIA SA
publisher.none.fl_str_mv FRONTIERS MEDIA SA
dc.source.none.fl_str_mv Frontiers in Psychology
ISSN: 16641078
reponame:r-FSJD. Repositorio Institucional de Producción Científica de la Fundació Sant Joan de Déu
instname:Fundació Sant Joan de Déu
instname_str Fundació Sant Joan de Déu
reponame_str r-FSJD. Repositorio Institucional de Producción Científica de la Fundació Sant Joan de Déu
collection r-FSJD. Repositorio Institucional de Producción Científica de la Fundació Sant Joan de Déu
repository.name.fl_str_mv
repository.mail.fl_str_mv
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