El arte y los mitos de la caída a través de las artistas contemporáneas: sus formaciones simbólicas como medio transcendental de conocimiento en las Bellas Artes
[EN] This research would be important to analyse how artistic activity from the point of view of emotional and symbolic phenomena can be subjected to psychological consideration in a nonintrusive way, in order to give a new vision of art that approaches the difficult issue of internal essence of the...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/202409 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/202409 |
| Access Level: | acceso abierto |
| Palabra clave: | Symbol Archetype Consciousness Unconscious Símbolo Arquetipo Consciencia Inconsciente |
| Sumario: | [EN] This research would be important to analyse how artistic activity from the point of view of emotional and symbolic phenomena can be subjected to psychological consideration in a nonintrusive way, in order to give a new vision of art that approaches the difficult issue of internal essence of the human being and its relationship with the symbology related to the myths of the fall. In this article we see the parallels between the-se symbolic formations and those of the myths, where we analyse how these creations would not only be intentional products and directed by consciousness, but would also constitute an unconscious fact, defining in an original way the psychological phenomena in relation to with art and the importance of the symbol in the crea-tive manifestations through which we can free ourselves from the burdens of the unconscious, art being an ideal means to connect with these hidden contents and understand the psycholo-gy of the human being and the meaning of their creations imaginative. |
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