NARRACIÓN Y SABOTAJE
[EN] This project stems from the reflection on how photography and painting are able to create a narrative built, open to mu ltiple readings. Based on production arising pictorial and photographic work by appropriating images of old press, we intend to analyze and to question the veracity of the doc...
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| Tipo de recurso: | tesis de maestría |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/74426 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/74426 |
| Access Level: | acceso abierto |
| Palabra clave: | Ficción Realidad Pintura Fotografía Fragmentación PINTURA Máster Universitario en Producción Artística-Màster Universitari en Producció Artística |
| Sumario: | [EN] This project stems from the reflection on how photography and painting are able to create a narrative built, open to mu ltiple readings. Based on production arising pictorial and photographic work by appropriating images of old press, we intend to analyze and to question the veracity of the document image. An appropriate material of the context of reality, but nevertheless, in his painting process acquires another meaning away from the original to be decontextualized and fragmented . It aims to offer the viewer a new and contradictory, ambiguous visual work, giving you the ability to rearrange and rebuild, is precisely the ar rangement and juxtaposition of images allowing that they can finally be read and reread by multiple fictional directions |
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