Learning, memory and collecting practice: the copy and its uses in Hispanic late Gothic

The text analyses the different functions assumed by copying in the late mediaeval period: as a tool for learning in artistic workshops, as recognition of the authorship of a master or a celebrated work, and as a sort of label or code of identity for a collection. The common nexus of these multiface...

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Detalles Bibliográficos
Autor: Pérez Monzón, María Olga
Tipo de recurso: capítulo de libro
Fecha de publicación:2023
País:España
Institución:Universidad Complutense de Madrid (UCM)
Repositorio:Docta Complutense
Idioma:inglés
OAI Identifier:oai:docta.ucm.es:20.500.14352/120371
Acceso en línea:https://hdl.handle.net/20.500.14352/120371
Access Level:acceso abierto
Palabra clave:7 (091)
Late gothic painting
Medieval workshops
Copy
Originality
Juan de Flandes
Isabel I de Castilla
Roger van der Weyden
Juan de Segovia
Pedro González de Mendoza
Learning
Collection
Humanidades
5506.02 Historia del Arte
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repository_id_str
spelling Learning, memory and collecting practice: the copy and its uses in Hispanic late GothicPérez Monzón, María Olga7 (091)Late gothic paintingMedieval workshopsCopyOriginalityJuan de FlandesIsabel I de CastillaRoger van der WeydenJuan de SegoviaPedro González de MendozaLearningCollectionHumanidades5506.02 Historia del ArteThe text analyses the different functions assumed by copying in the late mediaeval period: as a tool for learning in artistic workshops, as recognition of the authorship of a master or a celebrated work, and as a sort of label or code of identity for a collection. The common nexus of these multifaceted functions is that they share in a positive consideration of the practice of copying, whereas they distance it by contrast from its undervaluation in later periods owing to its presumed counterposition with the concepts of originality and artistic quality.La ErgástulaPérez Monzón, María OlgaMiquel Juan, MatildeBueso Manzanas, MiriamLópez Lorente, Ángel JoséUniversidad Complutense de Madrid20232023-01-0120232023-01-01book parthttp://purl.org/coar/resource_type/c_3248VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/bookPartapplication/pdfhttps://hdl.handle.net/20.500.14352/120371reponame:Docta Complutenseinstname:Universidad Complutense de Madrid (UCM)InglésengAgencia Estatal de Investigación http://dx.doi.org/10.13039/501100011033 Plan Estatal de Investigación Científica y Técnica y de Innovación 2017-2020 PGC2018-093822-B-I00 CORTE Y CORTES EN EL TARDOGOTICO HISPANO. NARRATIVA, MEMORIA Y SINERGIAS EN EL LENGUAJE VISUALopen accesshttp://purl.org/coar/access_right/c_abf2Attribution 4.0 Internationalhttp://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessoai:docta.ucm.es:20.500.14352/1203712026-06-02T12:44:21Z
dc.title.none.fl_str_mv Learning, memory and collecting practice: the copy and its uses in Hispanic late Gothic
title Learning, memory and collecting practice: the copy and its uses in Hispanic late Gothic
spellingShingle Learning, memory and collecting practice: the copy and its uses in Hispanic late Gothic
Pérez Monzón, María Olga
7 (091)
Late gothic painting
Medieval workshops
Copy
Originality
Juan de Flandes
Isabel I de Castilla
Roger van der Weyden
Juan de Segovia
Pedro González de Mendoza
Learning
Collection
Humanidades
5506.02 Historia del Arte
title_short Learning, memory and collecting practice: the copy and its uses in Hispanic late Gothic
title_full Learning, memory and collecting practice: the copy and its uses in Hispanic late Gothic
title_fullStr Learning, memory and collecting practice: the copy and its uses in Hispanic late Gothic
title_full_unstemmed Learning, memory and collecting practice: the copy and its uses in Hispanic late Gothic
title_sort Learning, memory and collecting practice: the copy and its uses in Hispanic late Gothic
dc.creator.none.fl_str_mv Pérez Monzón, María Olga
author Pérez Monzón, María Olga
author_facet Pérez Monzón, María Olga
author_role author
dc.contributor.none.fl_str_mv Pérez Monzón, María Olga
Miquel Juan, Matilde
Bueso Manzanas, Miriam
López Lorente, Ángel José
Universidad Complutense de Madrid
dc.subject.none.fl_str_mv 7 (091)
Late gothic painting
Medieval workshops
Copy
Originality
Juan de Flandes
Isabel I de Castilla
Roger van der Weyden
Juan de Segovia
Pedro González de Mendoza
Learning
Collection
Humanidades
5506.02 Historia del Arte
topic 7 (091)
Late gothic painting
Medieval workshops
Copy
Originality
Juan de Flandes
Isabel I de Castilla
Roger van der Weyden
Juan de Segovia
Pedro González de Mendoza
Learning
Collection
Humanidades
5506.02 Historia del Arte
description The text analyses the different functions assumed by copying in the late mediaeval period: as a tool for learning in artistic workshops, as recognition of the authorship of a master or a celebrated work, and as a sort of label or code of identity for a collection. The common nexus of these multifaceted functions is that they share in a positive consideration of the practice of copying, whereas they distance it by contrast from its undervaluation in later periods owing to its presumed counterposition with the concepts of originality and artistic quality.
publishDate 2023
dc.date.none.fl_str_mv 2023
2023-01-01
2023
2023-01-01
dc.type.none.fl_str_mv book part
http://purl.org/coar/resource_type/c_3248
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/bookPart
format bookPart
dc.identifier.none.fl_str_mv https://hdl.handle.net/20.500.14352/120371
url https://hdl.handle.net/20.500.14352/120371
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.relation.none.fl_str_mv Agencia Estatal de Investigación http://dx.doi.org/10.13039/501100011033 Plan Estatal de Investigación Científica y Técnica y de Innovación 2017-2020 PGC2018-093822-B-I00 CORTE Y CORTES EN EL TARDOGOTICO HISPANO. NARRATIVA, MEMORIA Y SINERGIAS EN EL LENGUAJE VISUAL
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Attribution 4.0 International
http://creativecommons.org/licenses/by/4.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Attribution 4.0 International
http://creativecommons.org/licenses/by/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv La Ergástula
publisher.none.fl_str_mv La Ergástula
dc.source.none.fl_str_mv reponame:Docta Complutense
instname:Universidad Complutense de Madrid (UCM)
instname_str Universidad Complutense de Madrid (UCM)
reponame_str Docta Complutense
collection Docta Complutense
repository.name.fl_str_mv
repository.mail.fl_str_mv
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