Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en España

In the first decades of the 20th century the «modern woman» appeared, it was an international phenomenon which was called in a different way by each European country: flapper, maschietta, garçonne, etc. Evident inheritors of the French model, the Spanish artists of these years personified and reflec...

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Detalles Bibliográficos
Autor: Barrera López, Begoña
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2014
País:España
Institución:Universidad de Sevilla (US)
Repositorio:idUS. Depósito de Investigación de la Universidad de Sevilla
OAI Identifier:oai:idus.us.es:11441/74258
Acceso en línea:https://hdl.handle.net/11441/74258
https://doi.org/10.25267/Trocadero.2014.i26.09
Access Level:acceso abierto
Palabra clave:Modern woman
Artistic vanguards
Gender theory
Iconography
Mallo
Maruja
Méndez
Concha
Santos
Ángeles
Tejero
Delhy
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spelling Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en EspañaPersonification and iconography of the "modern woman": its protagonists of the early XXth century in SpainBarrera López, BegoñaModern womanArtistic vanguardsGender theoryIconographyMalloMarujaMéndezConchaSantosÁngelesTejeroDelhyIn the first decades of the 20th century the «modern woman» appeared, it was an international phenomenon which was called in a different way by each European country: flapper, maschietta, garçonne, etc. Evident inheritors of the French model, the Spanish artists of these years personified and reflected in her works the aesthetics, the habits, the conquests and the independence and emancipatory aspirations of the new women. With them, the old gender barriers were fractured, and new plastic possibilities appeared to help these women to live and shape the vanguards. By means of a thematic study of the artistic production and the creative personalities of these artists (Maruja Mallo, Ángeles Santos, Delhy Tejero or Concha Méndez, among others), we can understand what was the significance and the popularity of this new model, which put in crisis the ideas that were shaping the definitions, solid and officially established, of gender, modernity and vanguards.Universidad de CádizHistoria Contemporánea2014info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://hdl.handle.net/11441/74258https://doi.org/10.25267/Trocadero.2014.i26.09reponame:idUS. Depósito de Investigación de la Universidad de Sevillainstname:Universidad de Sevilla (US)EspañolTrocadero: Revista de Historia Moderna y Contemporánea, 26, 221-240.Trocadero: Revista de Historia Moderna y Contemporánea, 26, 221-240.https://revistas.uca.es/index.php/trocadero/article/view/2099/1917info:eu-repo/semantics/openAccessoai:idus.us.es:11441/742582026-06-17T12:51:07Z
dc.title.none.fl_str_mv Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en España
Personification and iconography of the "modern woman": its protagonists of the early XXth century in Spain
title Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en España
spellingShingle Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en España
Barrera López, Begoña
Modern woman
Artistic vanguards
Gender theory
Iconography
Mallo
Maruja
Méndez
Concha
Santos
Ángeles
Tejero
Delhy
title_short Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en España
title_full Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en España
title_fullStr Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en España
title_full_unstemmed Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en España
title_sort Personificación e iconografía de la "mujer moderna". Sus protagonistas de principios del siglo XX en España
dc.creator.none.fl_str_mv Barrera López, Begoña
author Barrera López, Begoña
author_facet Barrera López, Begoña
author_role author
dc.contributor.none.fl_str_mv Historia Contemporánea
dc.subject.none.fl_str_mv Modern woman
Artistic vanguards
Gender theory
Iconography
Mallo
Maruja
Méndez
Concha
Santos
Ángeles
Tejero
Delhy
topic Modern woman
Artistic vanguards
Gender theory
Iconography
Mallo
Maruja
Méndez
Concha
Santos
Ángeles
Tejero
Delhy
description In the first decades of the 20th century the «modern woman» appeared, it was an international phenomenon which was called in a different way by each European country: flapper, maschietta, garçonne, etc. Evident inheritors of the French model, the Spanish artists of these years personified and reflected in her works the aesthetics, the habits, the conquests and the independence and emancipatory aspirations of the new women. With them, the old gender barriers were fractured, and new plastic possibilities appeared to help these women to live and shape the vanguards. By means of a thematic study of the artistic production and the creative personalities of these artists (Maruja Mallo, Ángeles Santos, Delhy Tejero or Concha Méndez, among others), we can understand what was the significance and the popularity of this new model, which put in crisis the ideas that were shaping the definitions, solid and officially established, of gender, modernity and vanguards.
publishDate 2014
dc.date.none.fl_str_mv 2014
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/11441/74258
https://doi.org/10.25267/Trocadero.2014.i26.09
url https://hdl.handle.net/11441/74258
https://doi.org/10.25267/Trocadero.2014.i26.09
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.relation.none.fl_str_mv Trocadero: Revista de Historia Moderna y Contemporánea, 26, 221-240.
Trocadero: Revista de Historia Moderna y Contemporánea, 26, 221-240.
https://revistas.uca.es/index.php/trocadero/article/view/2099/1917
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidad de Cádiz
publisher.none.fl_str_mv Universidad de Cádiz
dc.source.none.fl_str_mv reponame:idUS. Depósito de Investigación de la Universidad de Sevilla
instname:Universidad de Sevilla (US)
instname_str Universidad de Sevilla (US)
reponame_str idUS. Depósito de Investigación de la Universidad de Sevilla
collection idUS. Depósito de Investigación de la Universidad de Sevilla
repository.name.fl_str_mv
repository.mail.fl_str_mv
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