"Escarramán, rufianes y la muerte" (1966), de Carlos Fossatti: un Escarramán uruguayo
The author of this article analyses an unknown engraving by the Uruguayan Carlos Fossatti on the topic of Escarramán, trying to emphasize the relations between the text of Quevedo and the plastic hypertext of Fossatti, and the contribution of Quevedo’s jácaras to the specificity of the artistic and...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/61541 |
| Acceso en línea: | https://hdl.handle.net/10171/61541 |
| Access Level: | acceso abierto |
| Palabra clave: | Jácaras grabado Quevedo Uruguay |
| Sumario: | The author of this article analyses an unknown engraving by the Uruguayan Carlos Fossatti on the topic of Escarramán, trying to emphasize the relations between the text of Quevedo and the plastic hypertext of Fossatti, and the contribution of Quevedo’s jácaras to the specificity of the artistic and sociocultural context of the Uruguay around the years 1960-1970. |
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