Polychromy in Roman Portraits from Asido (Medina Sidonia, Cádiz, Spain). Livia, Germanicus and Drusus Minor

This paper presents a recent study on a Roman period marble sculpture depicting Empress Livia and the portraits of Germanicus and Drusus Minor, found at the praesidium of Asido (Medina Sidonia, Cádiz, Spain). The sculptures retain extensive evidence of their original polychromy. The properties and s...

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Detalhes bibliográficos
Autores: Odriozola Lloret, Carlos, Beltrán Fortes, José, Loza Azuaga, Maria Luisa, Martínez Blanes, José María
Formato: artículo
Fecha de publicación:2022
País:España
Recursos:IAPH
Repositorio:Repositorio de Activos Digitales del IAPH
OAI Identifier:oai:repositorio.iaph.es:11532/354241
Acesso em linha:https://hdl.handle.net/11532/354241
https://doi.org/10.1186/s40494-022-00734-1
Access Level:acceso abierto
Palavra-chave:Escultura
Análisis de policromía
Arqueometría
Livia
Descrição
Resumo:This paper presents a recent study on a Roman period marble sculpture depicting Empress Livia and the portraits of Germanicus and Drusus Minor, found at the praesidium of Asido (Medina Sidonia, Cádiz, Spain). The sculptures retain extensive evidence of their original polychromy. The properties and spatial distribution of these pigment remains were investigated by portable non-invasive and micro-destructive techniques, applying digital microscopy, and UV/VIS/NIR/SWIR spectroscopy, portable XRF and SEM–EDS analysis. The study revealed the presence of Egyptian blue and ochre on Livia’s mantle and charcoal black on Livia’s eyes and hair, remains that were not clearly visible to the naked eye. This is a signifcant approach, used to identify colours on ancient marble sculpture, which transforms our understanding of these unique pieces. Elemental composition analysis by pXRF has confrmed the evidence of pigments, furthermore supported by the Raman results, making it possible to develop and reconstruct the colour palette that originally brought these sculptures to life in vibrant polychrome. The research ofers a new methodology for identifying pigments on marble sculpture and opens new ways for investigating other types of material culture aided by the development of the analytical equipment mentioned.