Aspectos de la obra escultórica de Luis Salvador Carmona a propósito de un nuevo modelo iconográfico en su producción: las tallas de san Vicente Ferrer de Cañamero (Cáceres) y Alcalá de Henares
The sculpture of San Vicente Ferrer in Cañamero is one of the eleven works signed by Luis Salvador Carmona throughout his long career, which has allowed us to document this example as a personal work. This peculiarity is enhanced by the iconographic type which the artist inaugurated with its product...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2023 |
| País: | España |
| Institución: | Universidad de Salamanca (USAL) |
| Repositorio: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/162870 |
| Acceso en línea: | http://hdl.handle.net/10366/162870 |
| Access Level: | acceso abierto |
| Palabra clave: | Luis Salvador Carmona San Vicente Ferrer Cañamero Alcalá de Henares Plasencia 18th Century san Vicente Ferrer siglo XVIII |
| Sumario: | The sculpture of San Vicente Ferrer in Cañamero is one of the eleven works signed by Luis Salvador Carmona throughout his long career, which has allowed us to document this example as a personal work. This peculiarity is enhanced by the iconographic type which the artist inaugurated with its production and in baroque Spanish sculpture on portraying the saint in his dual role of Apocalyptic Angel and tireless preacher. The latter is reflected in the work lost in 1936 from the church of La Magistral in Alcalá de Henares, which is attributed to the sculptor and thus complements the former as the second version of a theme which he did not continue. Both sculptures were based on an engraving by Procaccini, and they present aspects indebted to the drawings that the artist made from the canvases arranged on the mannequin inventoried in his workshop, which has allowed the attribution. |
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