Forster on film
This article reveals Forster's views on the cinema, arguing his perspective was clearly not an immutable one; over time he either amended or eliminated certain impressions, although some re-emerged later. Primary works written by Forster open the study, to develop his ideas about stage and scre...
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| Formato: | artículo |
| Fecha de publicación: | 1999 |
| País: | España |
| Recursos: | Universitat Autònoma de Barcelona |
| Repositorio: | Dipòsit Digital de Documents de la UAB |
| Idioma: | inglés |
| OAI Identifier: | oai:ddd.uab.cat:2264 |
| Acesso em linha: | https://ddd.uab.cat/record/2264 |
| Access Level: | acceso abierto |
| Palavra-chave: | E. M. Forster Film Criticism |
| Resumo: | This article reveals Forster's views on the cinema, arguing his perspective was clearly not an immutable one; over time he either amended or eliminated certain impressions, although some re-emerged later. Primary works written by Forster open the study, to develop his ideas about stage and screen at specific times. The second section draws from existing biographies and commentaries and includes correspondence of Forster's colleagues and friends who were involved in the industry. Thus, a clearer picture of Forster's views on film emerges than a single passage or excerpt might provide, further revealing the ongoing shift/stasis of his position. |
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