Anilla o de lo burlesco (BL, núm. 682)
The poem number 682 by Quevedo («Anilla, dame atención») consists of a series of classical-mythological episodes —as well as a Biblical one, about Samson— seen in the ambiguous light of the <i>veras</i> and <i>burlas</i> (in Gonzalez de Salas’ traditional terminology), all de...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/60292 |
| Acceso en línea: | https://hdl.handle.net/10171/60292 |
| Access Level: | acceso abierto |
| Palabra clave: | Degradación de la mitología Burlas y veras Poética de lo burlesco |
| Sumario: | The poem number 682 by Quevedo («Anilla, dame atención») consists of a series of classical-mythological episodes —as well as a Biblical one, about Samson— seen in the ambiguous light of the <i>veras</i> and <i>burlas</i> (in Gonzalez de Salas’ traditional terminology), all dealing with Anilla, whose avarice is censured as much as her subversive and irresistible charms are praised. The series ends with Paris, a third-rate judge, who is nevertheless able to suggest a kind of mock-heroic poetics, of which Anilla herself is the emblem. |
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