Of farmworkers and other exploitations: the enduring relevance of Rius’s "The Chicanos"

In 1972, the North American Congress on Latin America (NACLA) published a comic by the Mexican comic artist Rius: “NACLA Presents Rius: The Chicanos”. This was an English-language version of “Los Chicanos”, which Rius had released in his Los Agachados series in 1971. In US Latino cultural and comic...

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Detalles Bibliográficos
Autor: Allatson, Paul
Tipo de recurso: artículo
Fecha de publicación:2021
País:España
Institución:Universidad de Alcalá (UAH)
Repositorio:e_Buah Biblioteca Digital Universidad de Alcalá
Idioma:inglés
OAI Identifier:oai:ebuah.uah.es:10017/49009
Acceso en línea:http://hdl.handle.net/10017/49009
Access Level:acceso abierto
Palabra clave:Eduardo del Río García
Rius
Chicanos
Los Agachados
El movimiento chicano
Congreso Norteamericano de América Latina
Historietas
Campesinos
Inmigrantes indocumentados
North American Congress on Latin America (NACLA)
Comics
Farmworkers
Undocumented immigrants
Chicano movement
COVID-19
Arte
Historia
Literatura
Sociología
Filología
Art
History
Literature
Sociology
Philology
Descripción
Sumario:In 1972, the North American Congress on Latin America (NACLA) published a comic by the Mexican comic artist Rius: “NACLA Presents Rius: The Chicanos”. This was an English-language version of “Los Chicanos”, which Rius had released in his Los Agachados series in 1971. In US Latino cultural and comic history “The Chicanos” is an overlooked artefact: it is the first comic book-length treatment of Chicanos and the diverse drives of the Chicano Movement. In this essay I assess “The Chicanos” as a key example of transborder information exchange about a US population with direct links to Mexico. “The Chicanos”, I suggest, survives as a cultural artefact—which comes to the discussion with inevitable historical biases and oversights—that illustrates how important historical memory is in a USA in which prevail ephemeral media soundbites and claims of “fake news.”