La "poética de la imitación" en la poesía neolatina del Renacimiento: distinción entre "fuentes, clichés y paralelos"
By analysing the Latin poetic work of the Spanish humanist Francisco Sánchez de las Brozas (= Sanctius), the aim of this article is to show and explain some general rules with which it is possible to establish the difference between "source", "cliché" and "fortuitous linguis...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2007 |
| País: | España |
| Institución: | Universidad de Valladolid |
| Repositorio: | UVaDOC. Repositorio Documental de la Universidad de Valladolid |
| OAI Identifier: | oai:uvadoc.uva.es:10324/10554 |
| Acceso en línea: | http://uvadoc.uva.es/handle/10324/10554 |
| Access Level: | acceso abierto |
| Palabra clave: | Filología clásica |
| Sumario: | By analysing the Latin poetic work of the Spanish humanist Francisco Sánchez de las Brozas (= Sanctius), the aim of this article is to show and explain some general rules with which it is possible to establish the difference between "source", "cliché" and "fortuitous linguistic coincidence". According to these rules, to be able to speak of an authentic "source", it is necessary that the coincidental words between a Renaissance author and an author of Antiquity fulfil the following five requirements: to be words with complete lexical meaning, to form a syntagm between them, to be used by poets, to be used with not much frequency and to be not very common words. |
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