Sensualisation de l&apos
[EN] According to Philippe Hamon’s « literature needs other arts to define itself ». In other words, the literary production requires a return to a more beautiful language to deliver its message to the reader, while studying Au château d’Argol, we found the spread of metaphor style in all its pages...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | francés |
| OAI Identifier: | oai:riunet.upv.es:10251/86494 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/86494 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura Lingüística Traducción Traductología Didáctica TIC Cultura francesa Francofonía |
| Sumario: | [EN] According to Philippe Hamon’s « literature needs other arts to define itself ». In other words, the literary production requires a return to a more beautiful language to deliver its message to the reader, while studying Au château d’Argol, we found the spread of metaphor style in all its pages and in particular those used by the writer to describe the water. The fifth chapter of the book, which is titled « Le Bain » remains as example for that. In fact, the descent of the three characters of the novel to the sea for swimming reminds us in the water-matrix, and this relationship was built thanks to the common factor between them, liquid, and the text is very rich in all the vocabulary that belongs to the water and human |
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