De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis

Zeuxis was one of the most famous painters of classical Greece. However, none of his paintings have survived; the only way to appraise their value is to consult some words and texts which describe them and tell us who Zeuxis was, what kinds of works he painted, and how he did so. Using Zeuxis as our...

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Detalhes bibliográficos
Autor: Gómez i Cardó, Pilar
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2012
País:España
Recursos:Universidad de Barcelona
Repositorio:Dipòsit Digital de la UB
OAI Identifier:oai:diposit.ub.edu:2445/115206
Acesso em linha:https://hdl.handle.net/2445/115206
Access Level:acceso abierto
Palavra-chave:Llucià, ca. 120-ca. 190
Rembrandt Harmenszoon van Rijn, 1606-1669
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spelling De Samosata a Leiden: Luciano y Rembrandt en el espejo de ZeuxisGómez i Cardó, PilarLlucià, ca. 120-ca. 190Rembrandt Harmenszoon van Rijn, 1606-1669Zeuxis was one of the most famous painters of classical Greece. However, none of his paintings have survived; the only way to appraise their value is to consult some words and texts which describe them and tell us who Zeuxis was, what kinds of works he painted, and how he did so. Using Zeuxis as our link, in this paper we aim to bring together the figures of Lucian and Rembrandt, two great names in their respective fields of literature and painting, and consider their conceptions of themselves as artists. As a reference point we use three anecdotes from the written tradition about the Greek painter and his work which may help us reach our goal. The first deals with the execution of a particular painting, the second with his technique, and the third with his death.Adolf M. Hakkert2012info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://hdl.handle.net/2445/115206Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)reponame:Dipòsit Digital de la UBinstname:Universidad de BarcelonaEspañolReproducció del document publicat a: http://www.lexisonline.eu/wordpress/wp-content/uploads/2016/07/Lexis30_Gomez.pdfLEXIS. Poetica, retorica e comunicazione nella tradizione classica , 2012, vol. 30, p. 537-564(c) Gómez i Cardó, Pilar, 2012info:eu-repo/semantics/openAccessoai:diposit.ub.edu:2445/1152062026-05-27T06:46:51Z
dc.title.none.fl_str_mv De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis
title De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis
spellingShingle De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis
Gómez i Cardó, Pilar
Llucià, ca. 120-ca. 190
Rembrandt Harmenszoon van Rijn, 1606-1669
title_short De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis
title_full De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis
title_fullStr De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis
title_full_unstemmed De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis
title_sort De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis
dc.creator.none.fl_str_mv Gómez i Cardó, Pilar
author Gómez i Cardó, Pilar
author_facet Gómez i Cardó, Pilar
author_role author
dc.subject.none.fl_str_mv Llucià, ca. 120-ca. 190
Rembrandt Harmenszoon van Rijn, 1606-1669
topic Llucià, ca. 120-ca. 190
Rembrandt Harmenszoon van Rijn, 1606-1669
description Zeuxis was one of the most famous painters of classical Greece. However, none of his paintings have survived; the only way to appraise their value is to consult some words and texts which describe them and tell us who Zeuxis was, what kinds of works he painted, and how he did so. Using Zeuxis as our link, in this paper we aim to bring together the figures of Lucian and Rembrandt, two great names in their respective fields of literature and painting, and consider their conceptions of themselves as artists. As a reference point we use three anecdotes from the written tradition about the Greek painter and his work which may help us reach our goal. The first deals with the execution of a particular painting, the second with his technique, and the third with his death.
publishDate 2012
dc.date.none.fl_str_mv 2012
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/2445/115206
url https://hdl.handle.net/2445/115206
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.relation.none.fl_str_mv Reproducció del document publicat a: http://www.lexisonline.eu/wordpress/wp-content/uploads/2016/07/Lexis30_Gomez.pdf
LEXIS. Poetica, retorica e comunicazione nella tradizione classica , 2012, vol. 30, p. 537-564
dc.rights.none.fl_str_mv (c) Gómez i Cardó, Pilar, 2012
info:eu-repo/semantics/openAccess
rights_invalid_str_mv (c) Gómez i Cardó, Pilar, 2012
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Adolf M. Hakkert
publisher.none.fl_str_mv Adolf M. Hakkert
dc.source.none.fl_str_mv Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)
reponame:Dipòsit Digital de la UB
instname:Universidad de Barcelona
instname_str Universidad de Barcelona
reponame_str Dipòsit Digital de la UB
collection Dipòsit Digital de la UB
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,301603

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