Le symbolisme de la mer dans Les Plages d’Agnès Varda au miroir de la littérature
[EN] Agnès Varda’s cinécriture has transgressed many frontiers and has opened new paths in the seventh art. Les plages (2008) appears to be a very valid example of an art and essay cinema, complex, created as a kind of collage, with kaleidoscope effects, where this woman filmaker offers a prolix fil...
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| Formato: | capítulo de livro |
| Fecha de publicación: | 2017 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | francés |
| OAI Identifier: | oai:riunet.upv.es:10251/86507 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/86507 |
| Access Level: | acceso abierto |
| Palavra-chave: | Literatura Lingüística Traducción Traductología Didáctica TIC Cultura francesa Francofonía |
| Resumo: | [EN] Agnès Varda’s cinécriture has transgressed many frontiers and has opened new paths in the seventh art. Les plages (2008) appears to be a very valid example of an art and essay cinema, complex, created as a kind of collage, with kaleidoscope effects, where this woman filmaker offers a prolix film narrative play which seduces the complicit spectator reader. This film presents a special interest in so far it constitutes not only a balance of a whole life devoted to the cinema and the arts, a clear celebration of the seventh art, an hommage to numerous Agnès Varda’s film directors friends, but it also gives the measure to what extent the cinema must be considered taking into account the interrelations between arts. Our study on the sea symbolism bases precisely on the intertextuel play that Les plages establish with literature |
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