UN PROCESO ANÁLOGO ENTRE LA FENOMENOLOGÍA DE LA OSCURIDAD Y LA DESTRUCCIÓN
[EN] Placing such as initial sediment the concept of the darkness, as well as those that derive from their terminology, such as obscurantism, or with the physiological relationship with the place, as the black color, in this article we approach to the possible relationships between the processes of...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/88446 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/88446 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte Producción artística Estética Teoría del Arte Gestión cultural Educación artística Investigación artística |
| Sumario: | [EN] Placing such as initial sediment the concept of the darkness, as well as those that derive from their terminology, such as obscurantism, or with the physiological relationship with the place, as the black color, in this article we approach to the possible relationships between the processes of destruction and deconstruction, in derridean terms, associated with the memory. That is, as similar processes to the concept darkness, are presented through by contemporary artists, such as Christian Boltanski (1 44) and Michael Landy (1 63), among others, the most immediate consequences that transcend the viewer from the conception of the dark, alluding to the thought of Jacques Derrida (1 7), which take place in the memory of the subject. It is intended here present a segment of the study that I am doing in my doctoral thesis. With the premise of a naysayer symbology of the concept of darkness, as well as those derived etymologically the same, we approach the processes, of existentialist character, perceived in the works presented, to configure and display those that appeal to the occult. To conclude, a thoughtful synthesis of those concepts discussed in our article is submitted, which in turn are identified with the processes of destruction and deconstruction analogous to the phenomenology of darkness. |
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