La poesia en Hildegarda de Bingen: un estudi sobre les arrels bíbliques de l'Ordo Virtutum

The studies on the type of versification that the Rhenish abbess and mystic Hildegard of Bingen (1098-11179) used in her works are scarce, and even more so those specifically devoted to her Ordo Virtutum or Order of the Virtues, one of the most outstanding Latin melodramas of the Middle Ages, writte...

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Detalhes bibliográficos
Autor: Vernet i Pons, Eulàlia
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2017
País:España
Recursos:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
Repositorio:Recercat. Dipósit de la Recerca de Catalunya
OAI Identifier:oai:recercat.cat:2445/130973
Acesso em linha:https://hdl.handle.net/2445/130973
Access Level:acceso abierto
Palavra-chave:Versificació
Versification
Hildegarda, santa, 1098-1179
Descrição
Resumo:The studies on the type of versification that the Rhenish abbess and mystic Hildegard of Bingen (1098-11179) used in her works are scarce, and even more so those specifically devoted to her Ordo Virtutum or Order of the Virtues, one of the most outstanding Latin melodramas of the Middle Ages, written around 1151. This article aims to fill this void. On the one hand it will offer a precise description of the type of metre that can be found in the free verses of the Ordo Virtutum, which, as will be shown, are very close to Hebrew biblical poetry; on the other hand, it will discuss the biblical lyrical images of the text in order to show the biblical background that pervades this melodrama.