Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in Seville
The entrance of the Madre de Dios convent in Seville was carved in stone by Juan de Oviedo y de la Bandera, an important sculptor who made great artistic productions, highlighting his carvings in wood and stone. Several studies have been carried out on the carvings in wood, but no interest has been...
| Autores: | , , , |
|---|---|
| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Consejo General de la Arquitectura Técnica de España (CGATE) |
| Repositorio: | RIARTE |
| OAI Identifier: | oai:www.riarte.es:20.500.12251/3803 |
| Acceso en línea: | http://hdl.handle.net/20.500.12251/3803 https://doi.org/10.3390/min14030225 |
| Access Level: | acceso abierto |
| Palabra clave: | Convento Sevilla Edificación religiosa Escultura Policromía Arqueología Pintura Historia del arte Piedra 3305.26 Edificios Públicos 5504.03 Historia Medieval 5505.01 Arqueología 5506.02 Historia del Arte 6203.09 Escultura 6203.07 Pintura |
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Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in SevillePérez Rodríguez, José LuisRobador González, María DoloresLarrea, GarbiñeDurán, AdriánConventoSevillaEdificación religiosaEsculturaPolicromíaArqueologíaPinturaHistoria del artePiedra3305.26 Edificios Públicos5504.03 Historia Medieval5505.01 Arqueología5506.02 Historia del Arte6203.09 Escultura6203.07 PinturaThe entrance of the Madre de Dios convent in Seville was carved in stone by Juan de Oviedo y de la Bandera, an important sculptor who made great artistic productions, highlighting his carvings in wood and stone. Several studies have been carried out on the carvings in wood, but no interest has been paid by experts to the carving pieces in stone. In this work, this polychrome made on stone around 1590 was studied for the first time. Micro-samples were taken and studied using micro-analytical techniques (optical microscopy, SEM-EDX, colourimetry, XRD, FTIR, and Raman spectroscopy). The pigments (smalt, atacamite, malachite, copper resinate, cinnabar, red earth, yellow ochre, carbon, and bone black) and the consolidation product (acrylic resin, very possibly Paraloid B72) were characterized. The experimental study indicated that the polychrome was applied on a layer of white lead (cerussite and hydrocerussite) that was laid on the substrate stone, constituted by calcarenite. This study also includes a comprehensive discussion on the use of these materials and techniques in other artworks within Seville’s cultural heritage.MDPI2024info:eu-repo/semantics/articlehttp://hdl.handle.net/20.500.12251/3803https://doi.org/10.3390/min14030225reponame:RIARTEinstname:Consejo General de la Arquitectura Técnica de España (CGATE)Ingléshttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:www.riarte.es:20.500.12251/38032026-06-02T12:44:41Z |
| dc.title.none.fl_str_mv |
Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in Seville |
| title |
Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in Seville |
| spellingShingle |
Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in Seville Pérez Rodríguez, José Luis Convento Sevilla Edificación religiosa Escultura Policromía Arqueología Pintura Historia del arte Piedra 3305.26 Edificios Públicos 5504.03 Historia Medieval 5505.01 Arqueología 5506.02 Historia del Arte 6203.09 Escultura 6203.07 Pintura |
| title_short |
Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in Seville |
| title_full |
Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in Seville |
| title_fullStr |
Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in Seville |
| title_full_unstemmed |
Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in Seville |
| title_sort |
Revealing Juan de Oviedo y de la Bandera’s Artworks: The Case of the Polychrome of a Stone-Carved Sculpture from the Madre de Dios Convent Façade in Seville |
| dc.creator.none.fl_str_mv |
Pérez Rodríguez, José Luis Robador González, María Dolores Larrea, Garbiñe Durán, Adrián |
| author |
Pérez Rodríguez, José Luis |
| author_facet |
Pérez Rodríguez, José Luis Robador González, María Dolores Larrea, Garbiñe Durán, Adrián |
| author_role |
author |
| author2 |
Robador González, María Dolores Larrea, Garbiñe Durán, Adrián |
| author2_role |
author author author |
| dc.subject.none.fl_str_mv |
Convento Sevilla Edificación religiosa Escultura Policromía Arqueología Pintura Historia del arte Piedra 3305.26 Edificios Públicos 5504.03 Historia Medieval 5505.01 Arqueología 5506.02 Historia del Arte 6203.09 Escultura 6203.07 Pintura |
| topic |
Convento Sevilla Edificación religiosa Escultura Policromía Arqueología Pintura Historia del arte Piedra 3305.26 Edificios Públicos 5504.03 Historia Medieval 5505.01 Arqueología 5506.02 Historia del Arte 6203.09 Escultura 6203.07 Pintura |
| description |
The entrance of the Madre de Dios convent in Seville was carved in stone by Juan de Oviedo y de la Bandera, an important sculptor who made great artistic productions, highlighting his carvings in wood and stone. Several studies have been carried out on the carvings in wood, but no interest has been paid by experts to the carving pieces in stone. In this work, this polychrome made on stone around 1590 was studied for the first time. Micro-samples were taken and studied using micro-analytical techniques (optical microscopy, SEM-EDX, colourimetry, XRD, FTIR, and Raman spectroscopy). The pigments (smalt, atacamite, malachite, copper resinate, cinnabar, red earth, yellow ochre, carbon, and bone black) and the consolidation product (acrylic resin, very possibly Paraloid B72) were characterized. The experimental study indicated that the polychrome was applied on a layer of white lead (cerussite and hydrocerussite) that was laid on the substrate stone, constituted by calcarenite. This study also includes a comprehensive discussion on the use of these materials and techniques in other artworks within Seville’s cultural heritage. |
| publishDate |
2024 |
| dc.date.none.fl_str_mv |
2024 |
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info:eu-repo/semantics/article |
| format |
article |
| dc.identifier.none.fl_str_mv |
http://hdl.handle.net/20.500.12251/3803 https://doi.org/10.3390/min14030225 |
| url |
http://hdl.handle.net/20.500.12251/3803 https://doi.org/10.3390/min14030225 |
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Inglés |
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Inglés |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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MDPI |
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MDPI |
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reponame:RIARTE instname:Consejo General de la Arquitectura Técnica de España (CGATE) |
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Consejo General de la Arquitectura Técnica de España (CGATE) |
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RIARTE |
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RIARTE |
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1869405450884087808 |
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15.81155 |