Postcolonial nonhuman blurring (b)orders in migrant ecologies: a postanthropocentric reading of Amitav Ghosh’s "Gun Island"

Amitav Ghosh’s novel "Gun Island" (2019) explores the intersection of the nonhuman with 21stcentury issues pertaining to racial and ecological injustice, ethnic cleansing, environmental catastrophe and migrant ecologies by way of allegorising the myth of Manasa Devi (goddess of snakes and...

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Detalles Bibliográficos
Autor: Samkaria, Ashwarya
Tipo de recurso: artículo
Fecha de publicación:2022
País:España
Institución:Universidad de Alcalá (UAH)
Repositorio:e_Buah Biblioteca Digital Universidad de Alcalá
Idioma:inglés
OAI Identifier:oai:ebuah.uah.es:10017/54445
Acceso en línea:http://hdl.handle.net/10017/54445
https://dx.doi.org/10.37536/ECOZONA.2022.13.2.4671
Access Level:acceso abierto
Palabra clave:Trans-corporeality
Myth
Migrant ecologies
Nonhuman agency
Postanthropocentric
Transcorporeidad
Mito
Ecologías migratorias
Agencia no humana
Posantropocéntrico
Literatura
Medio ambiente
Literature
Environmental science
Descripción
Sumario:Amitav Ghosh’s novel "Gun Island" (2019) explores the intersection of the nonhuman with 21stcentury issues pertaining to racial and ecological injustice, ethnic cleansing, environmental catastrophe and migrant ecologies by way of allegorising the myth of Manasa Devi (goddess of snakes and other venomous creatures). A postcolonial ecocritical lens helps analyse how the novelist presents nonhuman actors to contest Western anthropocentric conceptualisations of human subjectivity shaped by historical forces of modernity. By positing a postanthropocentric way of reading the world in order to shape new human subjectivities which do not efface human-nonhuman entanglements, my paper studies how Ghosh recognises agentic capacities and storied matter of the postcolonial nonhuman subject matter by identifying the novel’s subversive negotiations through the tropes of language, embodiment, genre, and everyday environmentalism. I analyse how the contextualisation of the postcolonial nonhuman not only critiques human exceptionalism but destabilises the constructedness of borders in terms of an immaterial myth projecting an otherworldly possibility, trans-corporeality positing inescapable interconnectedness between humans and all living and non-living matter, and everyday environmentalism broadening the definition of environment to contest nature-culture dualism. I also argue that this ecofiction’s allegorisation of Manasa Devi’s myth through the unseen boundaries that she seeks to retain problematises a simplistic understanding of borders as limiting. My paper thus analyses how this reconceptualisation through the postcolonial nonhuman blurs borders and their ordering of the world and posits, instead, a relational living that dismantles constructedness of hierarchies while paying heed to (b)orders for ecological sustainable living.