El medialab: ¿un espacio propicio para el arte?
[EN] This paper focuses on the study of the medialab, departing from the analysis of the transformations suffered by it during its historical development, and the main characteristics it has in a global level. This study examined twenty-two international centers through on-site visits, interviews, s...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/126995 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/126995 |
| Access Level: | acceso abierto |
| Palabra clave: | Medialab Transdisciplinariedad arte colaborativo Arte participativo Transdisciplinarity Collaborative art Participatory art |
| Sumario: | [EN] This paper focuses on the study of the medialab, departing from the analysis of the transformations suffered by it during its historical development, and the main characteristics it has in a global level. This study examined twenty-two international centers through on-site visits, interviews, search of information in their archives and media libraries, and through analysis of the most relevant publications and projects. The analysis is divided into stages: from the appearance of the first pioneering centers in the 1960s (1960-1980), their proliferation at the end of the last century (1980-2000), to the current medialab (2000-2018). It is assumed that the medialab, located in the convergence between art, science and technology, and as a successor of the artist's workshop, becomes a radically transformed space that incorporates practices of sociology, social sciences, communication, economy and business. Thus, the artistic practices are significantly reduced in the medialab context, the same as the projects leading by artists during the last decades. |
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