Israel Galván en 'La Fiesta': su baile flamenco contemporáneo y transgresor de la teatralización
[EN] In the following article we propose to go into detail about the study of the flamenco dance in the current theatricalisation, in its movements, its sounds and its performances, taking as a model the artist Israel Galván and, specifically, his work La Fiesta. All of this contextualised in the er...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2021 |
| País: | España |
| Recursos: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositório: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/422606 |
| Acesso em linha: | http://hdl.handle.net/10261/422606 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Flamenco dance Galván, Israel (1973-) Theatricalisation Transgression Globalization Baile flamenco Teatralización Transgresión Globalización Dance Performers |
| Resumo: | [EN] In the following article we propose to go into detail about the study of the flamenco dance in the current theatricalisation, in its movements, its sounds and its performances, taking as a model the artist Israel Galván and, specifically, his work La Fiesta. All of this contextualised in the era of globalisation, taking into account its cultural flows and its consequent hybridisation, transculturation and transgression in art. |
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