Performing feminist empathy in Claire Keegan&apos

This article dwells on Sarah Ahmed’s notion of “affective relationality” and her suggestion that empathy involves the subject’s reaction to the pain of others and willingness to be affected by it. Such postulates are used to explore Small Things like These (2021), the latest novel by the acclaimed I...

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Detalles Bibliográficos
Autor: Pérez Vides, María Auxiliadora
Tipo de recurso: artículo
Fecha de publicación:2024
País:España
Institución:Universidad de Huelva (UHU)
Repositorio:Arias Montano. Repositorio Institucional de la Universidad de Huelva
Idioma:inglés
OAI Identifier:oai:ariasmontano.uhu.es:10272/24746
Acceso en línea:https://hdl.handle.net/10272/24746
Access Level:acceso abierto
Palabra clave:Empathy
Affect
Social justice
Ireland&apos
s Magdalen laundries
Claire Keegan
62 Ciencias de las Artes y las Letras
6202 Teoría, Análisis y Crítica Literarias
6202.02 Análisis Literario
6202.01 Crítica de Textos
6301.06 Civilización y Caracteres Nacionales
6307.01 Evolución de las Sociedades
7102.01 Códigos de Valores
7102.05 Ética Religiosa
Descripción
Sumario:This article dwells on Sarah Ahmed’s notion of “affective relationality” and her suggestion that empathy involves the subject’s reaction to the pain of others and willingness to be affected by it. Such postulates are used to explore Small Things like These (2021), the latest novel by the acclaimed Irish writer Claire Keegan. I contend that the book contributes significantly to demand an imperative culture of feminist empathy towards former inmates of the Magdalen Laundries system in Ireland and their ongoing predicaments. This is achieved through the protagonist’s constant uneasiness for how responding proactively to injustice and to the suffering of the Magdalen Other may destabilise his own well-being and that of his family. Ireland’s culture of empathy is, thus, sharply cross-examined by means of a critique of the many fallacies of the moral order against which the story is projected. My analysis focuses on the complexity of affects addressed in the text, where interpersonal encounters and intersubjective identification between the empathetic subject and the object of empathy are foregrounded as relevant for the achievement of a more ethically sustainable society that transcends the temporal framework of the novel.