Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville
Seville was at the height of its commercial prosperity in the 16th century. It was then decided to renovate the gates of its walled enclosure using a Renaissance architectural language, following a report by the architect Hernán Ruiz II from 1560. The Puerta de la Carne was located near the Judería...
| Autores: | , , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión aceptada para publicación |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Universidad de Sevilla (US) |
| Repositorio: | idUS. Depósito de Investigación de la Universidad de Sevilla |
| OAI Identifier: | oai:idus.us.es:11441/168329 |
| Acceso en línea: | https://hdl.handle.net/11441/168329 https://doi.org/10.4995/var.2024.22578 |
| Access Level: | acceso abierto |
| Palabra clave: | historical images terrestrial laser scanning 3D reconstruction disappeared heritage city gate Hernán Ruiz imágenes históricas escaneado láser terrestre reconstrucción 3D patrimonio desaparecido puerta de la ciudad |
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Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville Reconstrucción gráfica de un patrimonio arquitectónico desaparecido: La Puerta de La Carne en Sevilla |
| title |
Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville |
| spellingShingle |
Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville Gámiz-Gordo, Antonio historical images terrestrial laser scanning 3D reconstruction disappeared heritage city gate Hernán Ruiz imágenes históricas escaneado láser terrestre reconstrucción 3D patrimonio desaparecido puerta de la ciudad |
| title_short |
Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville |
| title_full |
Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville |
| title_fullStr |
Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville |
| title_full_unstemmed |
Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville |
| title_sort |
Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in Seville |
| dc.creator.none.fl_str_mv |
Gámiz-Gordo, Antonio Antón García, Daniel Barrero Ortega, Pedro José |
| author |
Gámiz-Gordo, Antonio |
| author_facet |
Gámiz-Gordo, Antonio Antón García, Daniel Barrero Ortega, Pedro José |
| author_role |
author |
| author2 |
Antón García, Daniel Barrero Ortega, Pedro José |
| author2_role |
author author |
| dc.contributor.none.fl_str_mv |
Expresión Gráfica y Arquitectónica Expresión Gráfica e Ingeniería en la Edificación HUM976: Expregráfica. Lugar, Arquitectura y Dibujo TEP970: Innovación tecnológica, sistemas de modelado 3D y diagnosis energética en patrimonio y edificación |
| dc.subject.none.fl_str_mv |
historical images terrestrial laser scanning 3D reconstruction disappeared heritage city gate Hernán Ruiz imágenes históricas escaneado láser terrestre reconstrucción 3D patrimonio desaparecido puerta de la ciudad |
| topic |
historical images terrestrial laser scanning 3D reconstruction disappeared heritage city gate Hernán Ruiz imágenes históricas escaneado láser terrestre reconstrucción 3D patrimonio desaparecido puerta de la ciudad |
| description |
Seville was at the height of its commercial prosperity in the 16th century. It was then decided to renovate the gates of its walled enclosure using a Renaissance architectural language, following a report by the architect Hernán Ruiz II from 1560. The Puerta de la Carne was located near the Judería district and close to the city’s slaughterhouse. Asensio de Maeda directed the work execution around 1577. After being deemed an urban obstacle, the gate was demolished in 1864. For its graphic reconstruction, the 2006 London Charter, the 2012 Seville Principles, and other bibliographic references have been considered. To document and illustrate significant architectural and urban transformations, important historical images have been gathered and analysed for the first time: Bambrilla (1585–1588), Hoefnagel (1598), Olavide (1771), Hurtado (1786), an anonymous oil painting (c. 1800), Ford (1831), Domínguez Bécquer (1838), and Vigier (1851), among others. A photograph commercialised by Gaudin Frères (c. 1855) served as the basis for the three-dimensional (3D) graphic reconstruction. Treatises on 16th-century architecture have been consulted to sketch architectural details of its composition, which was similar to the Puerta Real, attributed to Hernán Ruiz II. A plan of urban alignments from the late 19th-century has helped to determine its position, supported by the 3D scanning of the current environment. Game-engine rendering technology was used to integrate and visualise all these data. Thus, the aim is to highlight the Puerta de la Carne, an important sample of vanished architectural heritage. This research will facilitate debate regarding its potential material reconstruction as a symbol of identity and a source of progress for the city. |
| publishDate |
2025 |
| dc.date.none.fl_str_mv |
2025 |
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info:eu-repo/semantics/article info:eu-repo/semantics/acceptedVersion |
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article |
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acceptedVersion |
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https://hdl.handle.net/11441/168329 https://doi.org/10.4995/var.2024.22578 |
| url |
https://hdl.handle.net/11441/168329 https://doi.org/10.4995/var.2024.22578 |
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Inglés |
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Inglés |
| dc.relation.none.fl_str_mv |
Virtual Archaeology Review, 16 (33), 65-81. https://polipapers.upv.es/index.php/var/article/view/22578 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf application/pdf |
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Universitat Politècnica de València |
| publisher.none.fl_str_mv |
Universitat Politècnica de València |
| dc.source.none.fl_str_mv |
reponame:idUS. Depósito de Investigación de la Universidad de Sevilla instname:Universidad de Sevilla (US) |
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Universidad de Sevilla (US) |
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idUS. Depósito de Investigación de la Universidad de Sevilla |
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idUS. Depósito de Investigación de la Universidad de Sevilla |
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1869404844421283840 |
| spelling |
Graphic reconstruction of a vanished architectural heritage: The 'Puerta de la Carne' in SevilleReconstrucción gráfica de un patrimonio arquitectónico desaparecido: La Puerta de La Carne en SevillaGámiz-Gordo, AntonioAntón García, DanielBarrero Ortega, Pedro Joséhistorical imagesterrestrial laser scanning3D reconstructiondisappeared heritagecity gateHernán Ruizimágenes históricasescaneado láser terrestrereconstrucción 3Dpatrimonio desaparecidopuerta de la ciudadSeville was at the height of its commercial prosperity in the 16th century. It was then decided to renovate the gates of its walled enclosure using a Renaissance architectural language, following a report by the architect Hernán Ruiz II from 1560. The Puerta de la Carne was located near the Judería district and close to the city’s slaughterhouse. Asensio de Maeda directed the work execution around 1577. After being deemed an urban obstacle, the gate was demolished in 1864. For its graphic reconstruction, the 2006 London Charter, the 2012 Seville Principles, and other bibliographic references have been considered. To document and illustrate significant architectural and urban transformations, important historical images have been gathered and analysed for the first time: Bambrilla (1585–1588), Hoefnagel (1598), Olavide (1771), Hurtado (1786), an anonymous oil painting (c. 1800), Ford (1831), Domínguez Bécquer (1838), and Vigier (1851), among others. A photograph commercialised by Gaudin Frères (c. 1855) served as the basis for the three-dimensional (3D) graphic reconstruction. Treatises on 16th-century architecture have been consulted to sketch architectural details of its composition, which was similar to the Puerta Real, attributed to Hernán Ruiz II. A plan of urban alignments from the late 19th-century has helped to determine its position, supported by the 3D scanning of the current environment. Game-engine rendering technology was used to integrate and visualise all these data. Thus, the aim is to highlight the Puerta de la Carne, an important sample of vanished architectural heritage. This research will facilitate debate regarding its potential material reconstruction as a symbol of identity and a source of progress for the city.Sevilla se encontraba en el siglo XVI en pleno apogeo comercial. Se decidió entonces renovar las puertas de su recinto amurallado con un lenguaje arquitectónico renacentista, siguiendo un informe de 1560 del arquitecto Hernán Ruiz II. La Puerta de la Carne se ubicaba junto al barrio de la Judería y cerca del matadero de la ciudad. Asensio de Maeda dirigió la ejecución de la obra hacia 1577. Tras ser considerada como un obstáculo urbano, fue demolida en 1864. Para su reconstrucción gráfica se han considerado la Carta de Londres de 2006, los Principios de Sevilla de 2012 y otras referencias bibliográficas. Para documentar e ilustrar destacadas transformaciones arquitectónicas y urbanas se han reunido y analizado por primera vez importantes imágenes históricas: Bambrilla (1585-1588), Hoefnagel (1598), Olavide (1771), Hurtado (1786), un óleo anónimo (h. 1800), Ford (1831), Domínguez Bécquer (1838) y Vigier (1851), entre otras. Una fotografía comercializada por Gaudin Frères (h. 1855) ha servido como base para la reconstrucción gráfica tridimensional (3D). Se han consultado tratados de arquitectura del siglo XVI para croquizar los detalles arquitectónicos de su composición, que era similar a la Puerta Real, atribuida a Hernán Ruiz II. Un plano de alineaciones urbanas de finales del XIX ha permitido precisar su posición con el respaldo del escaneado 3D del entorno actual. Para integrar y visualizar todos estos datos, se han usado técnicas de motor gráfico de videojuegos. De este modo, se trata de poner en valor la Puerta de la Carne, un importante patrimonio arquitectónico desaparecido. A partir de esta investigación podrá debatirse su futura reconstrucción material como símbolo de identidad y fuente de progreso para la ciudad.VI Plan Propio de Investigación y Transferencia of Universidad de Sevilla (reference VIPPIT-2020-II.5)Universitat Politècnica de ValènciaExpresión Gráfica y ArquitectónicaExpresión Gráfica e Ingeniería en la EdificaciónHUM976: Expregráfica. Lugar, Arquitectura y DibujoTEP970: Innovación tecnológica, sistemas de modelado 3D y diagnosis energética en patrimonio y edificación2025info:eu-repo/semantics/articleinfo:eu-repo/semantics/acceptedVersionapplication/pdfapplication/pdfhttps://hdl.handle.net/11441/168329https://doi.org/10.4995/var.2024.22578reponame:idUS. Depósito de Investigación de la Universidad de Sevillainstname:Universidad de Sevilla (US)InglésVirtual Archaeology Review, 16 (33), 65-81.https://polipapers.upv.es/index.php/var/article/view/22578info:eu-repo/semantics/openAccessoai:idus.us.es:11441/1683292026-06-17T12:51:07Z |
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15.812429 |