El teatro como literatura (Una provación)
[EN] This article claims that theatre is both literature and spectacle, fully and advantageously, in a harmonious relationship, not a excluding one. This view is explained theoretically by distinguishing between «dramatic text» and «dramatic piece», on the one hand, and, on the other, by characteris...
| Autor: | |
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| Tipo de recurso: | otro |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/385678 |
| Acceso en línea: | http://hdl.handle.net/10261/385678 |
| Access Level: | acceso abierto |
| Palabra clave: | Theatre Literature Dramatic text Dramatic piece Present Teatro Literatura Texto dramático Obra dramática Actualidad Contemporary theatre |
| Sumario: | [EN] This article claims that theatre is both literature and spectacle, fully and advantageously, in a harmonious relationship, not a excluding one. This view is explained theoretically by distinguishing between «dramatic text» and «dramatic piece», on the one hand, and, on the other, by characterising the three dimensions of the theatrical text, as «score», «play» and «document». In the second part, the article addresses the matter’s current situation, with emphasis on some paradoxes such as the narrative contamination of the drama and the dramaturgies of the self, focusing on the impossibility of «autobiographical drama» and the overcoming of this aporia thanks to the «theatrical autofiction» formula. The literary conception of theatre applies equally both to canonical texts of dramatic theatre (forgive the pleonasm) and the most obvious texts stemming from the different illusions of novelty and break with the past so com mon in postmodernism or the neo-avant-garde of the last fifty years. |
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