¡Ay, Carmela! Historia de dos textos y una traición (Aproximación al estudio de la transformación del libreto teatral en guion cinematográfico)
This research studies the creation of the dramatic libretto ¡Ay, Carmela! and its transformation into a film script. A Case Study in which both texts are used to analyse and assess their importance as scores or pretexts for two definitive artistic objects (play and film), within their respective com...
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| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universidad de Valladolid |
| Repositorio: | UVaDOC. Repositorio Documental de la Universidad de Valladolid |
| OAI Identifier: | oai:uvadoc.uva.es:10324/67061 |
| Acceso en línea: | https://doi.org/10.35376/10324/67061 https://uvadoc.uva.es/handle/10324/67061 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinematografía Adaptations Adaptaciones Theatre Teatro Films Cine 6203.01 Cinematografía |
| Sumario: | This research studies the creation of the dramatic libretto ¡Ay, Carmela! and its transformation into a film script. A Case Study in which both texts are used to analyse and assess their importance as scores or pretexts for two definitive artistic objects (play and film), within their respective communication processes, the relationship of kinship and the degree of fidelity they maintain between them and with respect to other texts (intertextuality). On the eighty-eighth anniversary of the start of the Spanish Civil War, the characteristics, discourses and views of this event offered by libretto and script as a reflection of the feelings of society and public opinion at the time are evaluated. The importance of ¡Ay, Carmela! (script) within the work of Carlos Saura is assessed and other influences of this text written hand in hand with Rafael Azcona are sought. ¡Esa luz!, a pseudobiography by Saura about Ramón J. Sender and Amparo Barayón during the first months of the war, emerges as a fundamental hypotext. |
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