The emergence of the mediated poet: Leopoldo María Panero in Roberto Bolaño’s 2666
[EN]This essay analyzes the role of Leopoldo María Panero in thenovel 2666 by Roberto Bolaño. As a public figure, Panero also circulates incinema (El desencanto), in the written press and on television. The mediatizedimage of Panero dialogs with notions of mauditism in recent poetry, with thetransit...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Fecha de publicación: | 2013 |
| País: | España |
| Institución: | Universidad de Salamanca (USAL) |
| Repositorio: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/133577 |
| Acceso en línea: | http://hdl.handle.net/10366/133577 |
| Access Level: | acceso abierto |
| Palabra clave: | Malditismo Infrarrealismo El desencanto Leopoldo María Panero Roberto Bolaño Mauditism Infrarealism |
| Sumario: | [EN]This essay analyzes the role of Leopoldo María Panero in thenovel 2666 by Roberto Bolaño. As a public figure, Panero also circulates incinema (El desencanto), in the written press and on television. The mediatizedimage of Panero dialogs with notions of mauditism in recent poetry, with thetransition to democracy in Spain and the role of poetry in the Era of Information.It is an image that both affirms the commercialization of artistic «authenticity» andalso calls it into question. |
|---|