El regreso de Ulises desde una perspectiva femenina y desmitificadora: «Penélope» de Lourdes Ortiz
«Penélope», a Lourdes Ortiz’s story which responds to the demystifying trend of the twentieth century literature, is characterized by the rewriting of the odyssey episode of Ulysses’ return, but from the point of view of Penelope, the woman who suffers his absence. That is the reason why our objecti...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universidad Autónoma de Madrid |
| Repositorio: | Biblos-e Archivo. Repositorio Institucional de la UAM |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uam.es:10486/685812 |
| Acceso en línea: | http://hdl.handle.net/10486/685812 |
| Access Level: | acceso abierto |
| Palabra clave: | Penélope Ulises Comparación Tendencia desmitificadora Perspectiva femenina Literatura |
| Sumario: | «Penélope», a Lourdes Ortiz’s story which responds to the demystifying trend of the twentieth century literature, is characterized by the rewriting of the odyssey episode of Ulysses’ return, but from the point of view of Penelope, the woman who suffers his absence. That is the reason why our objective is to analyze how this modern story relates to Homer’s epic poem, looking at different elements of Ortiz’s story: the narrative structure, the stylistic figures, the plot, the characterization of the characters and the themes or motifs. Such a comparative analysis reveals that the Odyssey works as a source of content and a structural model for this story, which uses a demystifying and feminine tone to relate the argument of the husband’s return and offers a deeper psychological characterization of Penelope, victim of the oppression |
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