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[EN] : From 1920 Le Corbusier began to develop a theoretical body on the objects design that went spreading through his writings and lectures. Books like Vers une architecture, L'art décoratif d'aujourd'hui or Précisions sur un état présent de l'architecture et de...
| Autores: | , |
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/86912 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/86912 |
| Access Level: | acceso abierto |
| Palabra clave: | architecture le corbusier modern movement |
| Sumario: | [EN] : From 1920 Le Corbusier began to develop a theoretical body on the objects design that went spreading through his writings and lectures. Books like Vers une architecture, L'art décoratif d'aujourd'hui or Précisions sur un état présent de l'architecture et de l'urbanisme have constituted a rich legacy of interlinked ideas and images to analyze the proposal of the architect from the level of theory. However, the power of its principles was continuously experienced and corroborated by his work in furniture, to the point of establishing direct relations between theory and work. This joint development provides a comprehensive overview of modern furniture concept developed by Le Corbusier. Therefore, this research aims on the one hand, to expose a 'Corbusian' and specific theoretical body of modern equipment, with special reference to the principles and original drawings by the architect; and, secondly, to check the real correspondence between his theories and works by analyzing a choice selection of works by the architect belonging to the interwar period, to finally offer a 'Corbusian' characterization of modern furniture. |
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