El teatro de las acciones mínimas
[EN] The aim of this article is to study the treatment of the collective dimension of the audience in performing arts following the social twist occurred since the year 2000. Taking as starting point the perspective of theater as representation, action and encounter, the article begins discussing th...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/192974 |
| Acceso en línea: | http://hdl.handle.net/10261/192974 |
| Access Level: | acceso abierto |
| Palabra clave: | Post-spectacular theater Participación Acción Encuentro Teatro posespectacular Público Encounter Action Participation Audience Contemporary theatre |
| Sumario: | [EN] The aim of this article is to study the treatment of the collective dimension of the audience in performing arts following the social twist occurred since the year 2000. Taking as starting point the perspective of theater as representation, action and encounter, the article begins discussing the concept of “post-dramatic theater“ in relation to “post-spectacular theater”. Then, it continues with an analysis of the type of participation that is proposed to the audience in works where the actor leaves his central place to identify himself with the mediator role, opening a space where viewers are invited to place themselves. Finally, it concludes with the word as a form of action carried out by the audience. The scene becomes a space where activities such as listening, reading, thinking or being, regain their collective dimension as social tools. |
|---|